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The state and the colonial unconscious

In this article, Fanon’s concept of the colonial unconscious – introduced in Black Skin, White Masks (Fanon 1968) – is used to clarify the post-1994 political conjuncture in South Africa; in particular, unconscious forms of resistance against the National Democratic Revolution (NDR). Fanon’s concept of colonialism is first outlined and developed before his concept of the colonial unconscious is itself refined and put to work in the analysis of Brett Murray’s The Spear in terms of the return of the colonial repressed. It is argued, in conclusion, that the NDR needs to include within its ambit this unconscious dimension of South African politics without, however, giving in to the temptation of attempting to totalise and saturate all processes of subject formation.