{'fraction_non_alphanumeric': 0.007534246575342466, 'fraction_numerical': 0.0, 'mean_word_length': 5.493333333333333, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Reconstruction and restoration of monuments of white stone architecture on the example of the church of the Image of Edessa in Abramtsevo

The article deals with the topic of preserving the historical appearance of objects during the reconstruction and restoration of architectural masterpieces. The analysis of the historical experience of recreating samples of ancient Russian architecture with elements of sculptural white stone reliefs is carried out on the example of the group method of work of members of the Abramtsevo art circle, imitating the activities of the national art collective. Based on the analysis of historical experience in the framework of the Abramtsevo Art Circle and their own research, the authors have established the basic principles of reconstruction and restoration of architectural monuments. When conveying of white stone works as masterpieces of ancient Russian architecture, technological techniques must be based on the ideological basis of creating an emotional and artistic atmosphere of collective creativity of folk masters. During the reconstruction and restoration of white stone architecture, it is also necessary to reproduce the natural irregularities of the walls themselves as a stylistic and functional feature of the historical time, designed to give originality to ancient buildings, taking into account the specifics of the perception of the relief of the walls of the monument as a similarity to the terrain.