{'fraction_non_alphanumeric': 0.030456852791878174, 'fraction_numerical': 0.015228426395939087, 'mean_word_length': 4.895522388059701, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Turning Points: Has Ethnomusicology Lost Its Way?

As some readers may know, I have recently published a book entitled Pioneers of Ethnomusicology. In it I try to answer the questions What were the events that led to the emergence of ethnomusicology? Who were the prime movers? What motivated them? What influences were brought to bear on them, and what were the consequences? (McLean 2006: 11)