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Fabric of Thought: Sergei Parajanov

Parajanov is presented here as a director who composes forces of nature.
 The four elements – earth, fire, wind, and water, as well as stone and the
 nautilus shell with its unimaginable duration – figure prominently in The
 Color of Pomegranates. Crafted objects and woven materials play an active
 role in his films, while the actors aspire to the state of abstraction of the
 puppet. Through these means, Parajanov gives cinema a natural history
 and a cosmos-centric power while locating his films within a deep history
 of the Transcaucasia. A Sufi concept of the image and its apprehension
 are elaborated through a minstrel’s encounter with wedding feasts of the
 deaf, the mute, and the blind in Ashik Kerib.