{'fraction_non_alphanumeric': 0.03807615230460922, 'fraction_numerical': 0.0, 'mean_word_length': 5.024096385542169, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
‘MA’: composition and reflex in the work of Frank Lloyd Wright

Wright's approach to design comprised a polarity of modes, ranging from axial symmetry, employed in public buildings, to free and spontaneous expression of use, route and place, in the private house. Together these showed a deep awareness of the Classical tradition, and personal study, unusual for his time, of oriental place-making. An idiosyncratic attitude to nature and existence lay behind this, often embodied in a ‘high place’.