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The necessity of utopia: Lessons from the culture of economics

According to the current range of millennial literature, the twentyfirst century may prove to be a positive and creative period for cultural policymakers internationally. Diverse commentators from outside the cultural sector are presently projecting a future international, national, economic, social and personal order in which cultural elements will exert a decisive influence. They suggest a future for cultural policy far more expansive than has been envisaged in even the most totalising of previous formulations. International relations, for instance, once predicated on opposed economic orders, are now seen to be based on the 'clash of civilizations' (Huntingdon, 1997). The competitive economic advantage of nations in the twenty-first century will apparently be based on traded services whose distinctiveness will derive from the characteristics of unique environments and cultures that cannot be replicated by competitors (McRae, 1995). Management, once considered the nemesis of the arts (Pick, 1984), is now founded on the sophisticated understanding of organisational culture and the type of coaching and creative teamwork which is characteristic of sport and the performing arts (Casey, 1995). Educationally, an understanding of music and the visual arts has been demonstrated to engender enhanced skill acquisition in mathematics and reading (Gardiner, 1988). And the