{'fraction_non_alphanumeric': 0.05379310344827586, 'fraction_numerical': 0.012413793103448275, 'mean_word_length': 4.854838709677419, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Texts (Waiting for-) for Nothing, Samuel Beckett, in Play; Titled (Art as Idea as Idea) Nothing; and “Ulysses,” 18 Titles and Hours (review)

with a coda: “For a final attempt to be done with ending in body and soul with Beckett,” a female monologue in which the speaker attempts interminably to remove all covering garments, a monologue of exposure and unending and unbinding, a striptease “[d]ream dated 8 September 2006,” Molly Bloom’s birthday and the Virgin Mary’s (65). Making an end with Beckett, removing as many garments as possible, tracing Beckett’s movement toward zero by moving away from Joyce turns out to be inseparable from moving toward Joyce. The to and fro is “[p]recious little” and more than satisfying.