{'fraction_non_alphanumeric': 0.03188405797101449, 'fraction_numerical': 0.0, 'mean_word_length': 5.06140350877193, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
What Is Called Rhythm?

This chapter starts from the question of how we define rhythm, once the concept has been expanded to incorporate not just prosody and versification, or art rhythms as a whole (music, dance, plastic arts), but dynamics through which entities come to appearance: ‘the dynamic unfolding/enfolding of sense.’ It suggests, however, that in place of a single definition, the work of defining rhythm is most important for the broader questions that rhythm brings up: ‘rhythm’ comes to name a set of problematics around the temporality of forms, the movements and articulations of language, and the ways in which poems deploy different kinds of linguistic movement in verse.