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St. Bernard to St. Francis: Monastic Ideals and Iconographic Programs in the Cloister

During the course of the twelfth century, two opposing conceptions appear in the cloisters of the Western world. Sometimes, the cloister exhibits the starkest of architectural forms, completely lacking in decoration, and, at others, it becomes a sumptuous, richly painted portico, laden with sculpture, or even glittering with mosaics. These mutually antagonistic aesthetic formulae are the outward manifestation of a moral debate on the communal