{'fraction_non_alphanumeric': 0.03234880450070324, 'fraction_numerical': 0.016877637130801686, 'mean_word_length': 5.085470085470085, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Avalanche Magazine: In the Words of the Artist

"Avalanche", published in New York City from 1970-1976 by Willoughby Sharp and Liza Béar, is closely associated with post-minimalist, post-studio conceptual artists in the United States. Replete with artist interviews, documentation of performances, and pieces created for the magazine, "Avalanche" is an important primary source for the study of the conceptual art scene in New York in the early 1970s. The author describes the format and content of "Avalanche", offers examples of its research value, and concludes with a brief discussion of expanded access to the contents of "Avalanche" with the publication of a facsimile and the creation of an online index.