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Enduring Truths: Sojourner's Shadows and Substance, by Darcy Grimaldo Grigsby

gesture that is in some sense necessitated by the logic of the scholarly monograph, a genre whose very existence demands the triumph of its anointed subjects over any conditions that might limit their aesthetic expression. Maintaining a narrative of heroism is a heavy burden for scholars to continue to bear, particularly when doing so requires submerging the far more complicated social dynamics that serve not merely to limit but often to enable the execution of a work like Animal Locomotion, which is itself a markedly social enterprise. That photographs are the products not simply of indefatigable artists overcoming structural limitations but, rather, of an extensive, diffuse, and polyvalent system makes them no less compelling. Indecent Exposures gestures toward this complexity, even if it stops short of productively embracing it. While the story it tells may lack the narrative appeal of, say, Muybridge’s operatic biography, the history it furnishes, of the astonishing array of institutions, personalities, and beliefs that conspired to produce these arresting photographs, offers its own kind of richness.