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The everyday after 9/11: cycles and details

Abstract An interest in the presentation of the ‘everyday’ during times of conflict, combined with my concurrence with Turvey (2008) regarding the richness of films documenting everyday life in/from Iraq leads me in this article to examine two documentary films in which the domestic sphere of a family living in occupied Baghdad (My Country, My Country, 2006) and the wife and children of a suspected terrorist in the United States (USA vs. Al-Arian 2007) stood centre stage, with an eye towards the critical political potential of the everyday, as well as the implications of these films for the re-presentation and understanding of contemporary Muslim domestic life.