{'fraction_non_alphanumeric': 0.024232633279483037, 'fraction_numerical': 0.01938610662358643, 'mean_word_length': 4.535714285714286, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
The New Oriental Galleries

The oriental collections of the Detroit Institute of Arts represent a great expanse of time. China, for instance, has one of the longest historical traditions of any nation. The Shang Dynasty (1523-1028 B.C.) developed pictographic writing out of which grew present day calligraphy, and established other aspects of Chinese culture which persist today. There is evidence that the Shangs were preceded by a neolithic culture as early as 2500 B.C. The Yang-Shao red wares included in this collection are relics of an invasion of China from the West toward the end of the Stone Age. Although no