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Pilgrimage Icon of the Russian Northern Monastery as a Historical and Cultural Source

The article considers the issues of the history of the Russian northern monastery in the lands of the Komi-zyryan, reflected in the peculiarities of the pilgrimage icon belonging to the Kaliningrad inhabitant. It turned out that the icon is the blessing of an outstanding church figure – Archimandrite of Trinity Stefano-Ulyanovsky Monastery Matfey (1818–1885), and is a copy of the monastery miracle icon. The icon shows the main milestones of the history and background of one of the flourishing Russian monasteries in the second half of the 19th century with its spiritual fathers and holy patrons supported and conceived by the cults of Russian saints. The icon is also of interest from an artistic point of view. For all the unconditional secondary, as well as the given miniaturization, its technical and aesthetic features are determined by the main trends of Russian religious painting of the second half of the 19 th century. They can be brought closer to such defining phenomena of the era as works of St. Petersburg workshop V.M. Peshehonov (1818–1888). This icon writer and organizer of the icon business contributed to the creation of a style of late Russian icon, which met the tastes of the highest church hierarchy and the capital elite, including members of the imperial family. During the tragic events for the Russian Church, the monastery ceased to exist and was completely destroyed. His new life began in 1994, practically in an empty place. The icon in question provides some insight into the irretrievably lost shrines and the tense spiritual life of the Russian Orthodox missionaries who spawned them.