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Contradictions About to Break Loose: Radical Ambivalence in the Work of Annette Kleinfeld Lissaüer

It isn’t uncommon when looking at writing and art work by women who came of age and developed their art identities in the twentieth century to see what might be characterized as a “trail of blood.” In work after work women’s silence implodes into violence. Society’s definition of normalcy is represented as distorted or perverted. Home is no haven, but a dangerous place, a suffocating enclosure, a cage to fly from. The artists we know about did this by breaking taboos, to express their interior lives. And the audience to this arguably “confessional” work assumes the role of “witness” rather than “pardoner.” Leonora Champagne, Out From Under1