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M.P. Mussorgsky. St. John’s Eve on Bald Mountain: Texts and Contexts. Article One

This article is devoted to the most stylistically original and artistically significant orchestral work by M.P. Mussorgsky, St. John’s Eve on Bald Mountain. The subject matters of the article are an examination of the background and history of this artwork’s creation, review of its creative sources, attribution of an autograph, and textological characterization of marginal marks in the score, while the goal is to form a new perspective of the research based on the deciphering of many intricate, complex and even mysterious circumstances associated with this orchestral opus. Particular attention is paid to the appearance of two author’s editions of the artwork; moreover the second of them arose as a result of harsh criticism of M.A. Balakirev, who insisted on a radical adaptation of the score. The autograph of the second author’s version has been preserved, while the first author’s version can only be reconstructed hypothetically.