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THE AESTHETIC SIGNIFICANCE OF DRAWINGS ON LOCATION AND WATERCOLORS BASED ON THE MATERIALS OF DAGESTAN GRAPHICS OF THE 1960s

The article analyses works on location in the heritage of Dagestan masters of fine art. The article reveals the ideological, substantive and aesthetic significance of pencil drawing on location and other types of graphics. Examples of works by famous artists of the 1960s, which differ in brightness and novelty of execution, are giv-en.