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Photographs as Historic Documents: An Examination of Two of Evgenii Khaldei’s Budapest Photos

In a recent letter to the editor of Slavic Review, I took issue with the identification and interpretation of two photographs that appeared in an article titled “Heroes, Victims, Role Models: Representing the Child Soldiers of the Warsaw Uprising.” The scenes were mistakenly identified as taking place in wartime Warsaw. While various perspectives may be taken on how one uses and interprets photographs in other disciplines, as an historian, I believe it to be essential that a strict review of the photographs’ origin be examined since they may force us to come to different conclusions about the reality of historical events, and possibly perpetrators of crimes. The crux of my argument follows.