Suite for Solo Cello No. 1 in G major, BWV 1007


  • Recorded: 4th September 1984
  • Record Place: Varhanní sál Domu umělců
  • First Release: 1986
  • (P) 1986 SUPRAPHON a.s.
  • Genre: Chamber Music


  • music by: Johann Sebastian Bach
  • cello: Saša Večtomov


Saša Večtomov

Bach: Cello Suites

Catalogue Number: SU 4275-2
Published: 27th March 2020
Genre: Chamber Music
Format: 2 CD
Johann Sebastian Bach - Six Suites for Cello Solo, BWV 1007-1012. Recorded in Prague at the Rudolfinum (1984)

Saša Večtomov - cello (made by Alessandro Gagliano, 1712)

Bach could hardly have imagined how popular his cycle of Six Suites for Cello Solo would become nearly 300 years after he finished writing them in Cöthen. There are more than 200 existing historical and contemporary recordings of "informed" and "modern" interpretations - that tells it all. The music makes extraordinary demands on players' technical and interpretive ability and their overall comprehension. In the suites, Bach managed to create music that is highly innovative (it is worth noting that the cello was still developing at the time), and yet he retained his stylistic purity and comprehensibility. While these are formally dance suites, the architecture of some of them is more like that of a cathedral, in part thanks to the wealth of contrapuntal writing. They are a great challenge for everyone who has mastered the cello, Saša Večtomov included. His first teacher was his father (he studied in Paris with Piatigorsky and Fournier and with Casals's assistant Alexanian). The playing of the young Večtomov was then strongly influenced by Rostropovich's teacher Semyon Kozolupov at the Moscow Conservatoire and by André Navarra in Italy. Besides his solo career, he also excelled at playing chamber music (Czech Trio, City of Prague Quartet) and was an equally wonderful teacher. For the recording of the Bach suites that he made in Prague at the Rudolfinum in the summer of 1984, he prepared himself for several years. In 1980, for example, he played the whole cycle from memory at a single concert. His recording can be characterised as having unmistakable beauty of tone, perfect intonation, and brilliant technique, but above all it is the deep comprehension of the "text" and the immediacy of the musicianship that make this recording something timeless and exceptional.

Bach - Cello Suites: timeless music on a timeless recording

CD 1

Johann Sebastian Bach
1. Prélude 02:42
2. Allemande 02:21
3. Courante 01:33
4. Sarabande 01:29
5. Menuet I, II 02:05
6. Gigue 01:09
Johann Sebastian Bach
Suite for Cello No. 2 D minor BWV 1008
7. Prélude 03:39
8. Allemande 02:01
9. Courante 01:13
10. Sarabande 02:20
11. Menuet I, II 02:08
12. Gigue 01:43
Johann Sebastian Bach
Suite for Cello No. 3 in C major, BWV 1009
13. Prélude 03:54
14. Allemande 01:56
15. Courante 01:42
16. Sarabande 02:22
17. Bourrée I, II 02:39
18. Gigue 01:39

CD 2

Johann Sebastian Bach
Suite for Cello in E flat major No. 4, BWV 1010
1. Prélude 06:11
2. Allemande 02:18
3. Courante 02:11
4. Sarabande 02:35
5. Bourrée I,II 03:53
6. Gigue 01:32
Johann Sebastian Bach
Suite for Cello No. 5 in C minor, "Discordant", BWV 1011
7. Prélude 07:55
8. Allemande 03:55
9. Courante 01:30
10. Sarabande 01:45
11. Gavotte I., II 03:57
12. Gigue 01:44
Johann Sebastian Bach
Suite for Cello No. 6 in D major, "A cinq cordes", BWV 1012
13. Prélude 05:45
14. Allemande 05:11
15. Courante 01:55
16. Sarabande 02:33
17. Gavotte I, II 03:19
18. Gigue 02:33

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