Yugoslavia's brutalist relics fascinate the Instagram generation

Yugoslavia's brutalist relics fascinate the Instagram generation


Genex Tower (pictured below) is unmissable on the highway from Belgrade airport to the centre of the city.

. Belgrade, Serbia. Reuters/Marko Djurica
Genex Tower, also known as The Western City gate, stands in Belgrade.

Its two soaring blocks, connected by an aerial bridge and topped with a long-closed rotating restaurant resembling a space capsule, are such an unusual sight, the 1977-build tower has become a magnet for tourists despite years of neglect.

The tower is one of the most significant examples of brutalism - an architectural style popular in the 1950s and 1960s, based on crude, block-like forms cast from concrete.

. Petrova Gora, Croatia. Reuters/Marko Djurica
Clinical Hospital Dubrava stands in Zagreb.

Brutalism was popular throughout the eastern bloc but the former Yugoslavia made it its own - seizing on it as a way to forge a visual identity poised between East and West.

Interest in the style is soaring - particularly since a 2018 exhibition in New York's Museum of Modern Art (MoMA) called Concrete Utopia: Architecture in Yugoslavia, 1948-1980.

. Belgrade, Serbia. Reuters/Marko Djurica
The Eastern City Gate apartment buildings complex stands in the Konjarnik neighbourhood in Belgrade.

"We have dozens of people every week interested in taking our Yugo tour around city landmarks built from the 1950s to 1980s," said Vojin Muncin, manager of the Yugotour sightseeing agency which guides tourists around the Serbian capital in Yugos - former Yugoslavia's once ubiquitous car.

"Genex Tower is among the most interesting sight. People see it on their way from the airport and it immediately draws their attention."

Today one of the pillars is empty, while the other is residential. The rotating restaurant was last open in the 1990s.

. Belgrade, Serbia. Reuters/Marko Djurica
Chairs line up inside the Yugoslavia Saloon, inside The Palata Srbija building in Belgrade.

Keen to capitalise on the interest, Belgrade authorities are now considering opening parts of another masterpiece of Yugoslav brutalism - the Palata Srbija government building, which is currently only open once a year.


. Belgrade, Serbia. Reuters/Marko Djurica
A security worker walks inside Hall 1 of the Belgrade Fair in Belgrade.

Residential blocks, hotels, civic centres and monuments all made of concrete shot up across the country.

The architecture was supposed to show the power of a state between two worlds - Western democracy and the communist East, looking to forge its own path and create a socialist utopia.

. Belgrade, Serbia. Reuters/Marko Djurica
A formally used Yugoslav passenger aircraft sits in front of the Aeronautical Museum in Belgrade.

But after Tito died in 1980, and economic crisis took hold, the new elites sought to distance themselves from the socialist regime, including its architecture. In 1991 the series of wars began that led to the collapse of Yugoslavia.

"Now enough time has past (since Yugoslavia fell apart) and people have begun to appreciate the architecture of Yugoslavia," said Alan Braun, lecturer at Zagreb University's architecture faculty.

. Belgrade, Serbia. Reuters/Marko Djuricax
A man jogs on a treadmill inside the 25th May Sports and Recreation Centre in Belgrade.

He said the style was unique because of its visible influence from the West, reflecting Yugoslavia's unique position.

Residential areas were planned to have enough parks, cinemas, swimming pools and even parking space.

. Belgrade, Serbia. Reuters/Marko Djurica
A carpet lies inside the Serbia saloon, in The Palata Srbija building in Belgrade.

The Palata Srbija building hosted former world leaders such as U.S. presidents Richard Nixon and Gerald Ford and Russian leaders Nikita Khrushchev and Leonid Brezhnev..

Each of the former Yugoslav republics had its own salon with a central room called the hall of Yugoslavia. Furniture and carpets were custom made and some of the most prominent artists produced paintings and mosaics.

. Belgrade, Serbia. Reuters/Marko Djurica

The outside of the building is concrete, but the inside is marble. Its centrepiece is a crystal chandelier beneath a 19 metre dome weighing more than nine tonnes.

"It is a shame to keep such a master piece away from the eyes of the public," said Sandra Vesic Tesla, curator of the building.

. Tjentiste, Bosnia and Herzegovina. Reuters/Marko Djurica
A couple walks in front of the war memorial monument "Battle of Sutjeska" in Tjentiste.

Other examples of Yugoslav brutalism include the huge memorials commemorating the struggle against fascism by Tito's partisans, often placed in dramatic rural settings.

Many of those pieces of art remain in disrepair, such as the monument to the uprising against fascism in Petrova Gora in Croatia. However, the Tjentiste memorial, commemorating the killing of 7,000 people by the Nazis was renovated last year.

. Belgrade, Serbia. Reuters/Marko Djurica
Miodrag Zivkovic, architect of the "Battle of Sutjeska" memorial monument, poses for a picture with the original maquette in his home in Belgrade.

Miodrag Zivkovic, the 91-year-old sculptor of the 19 metre-high concrete Tjentiste memorial was among the first artists in the former Yugoslavia to use concrete.

"It is stable material, resembling stone but it is easier to work with," he said.

"For every project back in those days there was a national contest, and artists from all over the country had the opportunity to apply, and that competition produced quality."

. Belgrade, Serbia. Reuters/Marko Djurica
Laundry hangs out to dry outside of Block 23 in an apartment neighbourhood in New Belgrade, Serbia.