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Noel Coward’s Brief Encounter, and: Gone with the Wind (review)

Thorndike extends the argument in favor of the power of art by an impromptu salon performance demonstrating how a representation of suffering by a live actor in a shared space could be as moving (or perhaps even more moving) than an actual person at the point of suffering in a film or photograph. Harrison himself used a variety of new media in the production, but essentially sides with the inspirational power of art. Not only does his mouthpiece, Gilbert Murray, champion the power of poetry to communicate a depth of feeling that might otherwise remain unarticulated, but Harrison consciously chose poetry and a complex structure for what could as easily have been a traditional history play written in prose.