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HARRY SOMERS (1925–1999)Evocations (1966)

This chapter examines Harry Somers’s Evocations. This piece could be said to be a prime example of 1960s vocal writing, especially in regard to its notation and its appetite for experimenting with vocal sounds. In four short movements, the work can prove fascinating and hypnotic in performance. The music comes across with bold energy as well as lyrical spaciousness and a refined aural sense. The composer shows a keen grasp of the interpretative possibilities, as copious performance notes indicate. Along with a wish to make his intentions clear for future generations, Somers leaves plenty of scope for personal creative input and characterization.