{'fraction_non_alphanumeric': 0.019638648860958365, 'fraction_numerical': 0.003142183817753339, 'mean_word_length': 5.306930693069307, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
A Cultural Genealogy of the Royal Court Theatre: the Renovation of a Theatre and an Ideal.

The Royal Court Theatre's current renovation invites a reexamination of the English Stage Company (ESC). The ESC has entered a crucible of change, raising new questions concerning the Royal Court's architectural semiotics and the company's aesthetic mission as London's most acclaimed producer of new plays. This study seeks to understand the ways in which its identity has been shaped and consolidated over the last forty-two years and how the current chapter in ESC history redefines the company's identity and future achievement. The English Stage Company took over the Royal Court in early in 1956. The ESC's marriage with the theatre appears serendipitous in retrospect, because key elements of the ESC's mission correspond to characteristic events from the building's history. The institutionalization of the ESC/Royal Court during the late nineteen eighties and early nineteen nineties ensured that the identity of theatre company and theatre building became indistinguishable. The current rebuilding program endeavors to retain the ghosts of the building's past and the intimacy of its auditorium while transforming a late Victorian receiving house into a flexible, modern,