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Tectonic “interpretation” of neoclassicism in the evening and nighttime (on the example of Chelyabinsk)

The aim was to analyse the architectural concept of neoclassicism, formed by the evening and night illumination in Chelyabinsk. The use of light compositions imparts artistic expression to the forms of architecture according to the requirements of ecologisation of the living environment. The knowledge in composition theory is combined with various fields of scientific knowledge, including a study of regulatory documentation and an analysis of existing architectural structures and those implemented based on a new ideology of form-making using modern technologies. This work studies domestic and foreign sources on the characteristics of tectonics, which is manifected in a new interpretation of archi-tectural structures and allowing new visualisation. We analysed the architectural-tectonic light systems formed in the city. A review of the existing concepts in architectural lighting is presented, which pro-vides complete identification and artistic comprehension of the uniqueness associated with urban her-itage. The collected theoretical material was assessed, and possible application of the research results was identified for developing the light master plan of Chelyabinsk following the international best prac-tice in designing the architectural and light environment of a megapolis.