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Music, Sound and Filmmakers: Sonic Style in Cinema

Fogerty’s consistent political ideology and how this granted success with CCR, failure with Eye of the Zombie (at a time of prosperity), and renewed success with 2007’s scathingly anti-Bush Revival. Saving what might be the best for last, Nick Baxter-Moore’s concluding essay examines Fogerty’s cultural impact. After briefly going over Fogerty’s esteemed honors, accolades, and placement on all-important “best ever” lists, Baxter-Moore offers a critical appraisal of Fogerty’s skills as a vocalist and a guitarist. The latter in particular is a refreshing topic, one not discussed at great length aside from brief mentions in Sellars’s and Pitilli’s chapters. Baxter-Moore proffers an answer to why there has been such a long wait for a volume on Fogerty by taking a frank and honest look at Fogerty’s faults—perfectionism, resentment towards his former bandmates, stubbornness—as self-destructive and inhibiting (206–09), before hoping for a continued period of presence and creativity. The chapter serves as a terrific capstone to a solid and remarkable book.