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Trauma, Conspiracy, Memento: Representations of the Munich Crisis in Czech Cinema

The Munich crisis of September 1938, resulting in the Munich Agreement between the Nazi Germany, the United Kingdom, France and Italy and causing the loss of a significant part of Czechoslovak territory, is historically a proof of ap-peasement policy failure and one of the starting points of World War II. For the Czech population, however, it meant above all a traumatic experience, which was the driving force of its depiction in numerous literary and film works. Four of these film representations of the Munich crisis are analyzed in the present chapter, namely Jiří Weiss’s neorealist debut Uloupená hranice ( The Stolen Frontier , 1947), Otakar Vávra’s documentary drama Dny zrady ( Days of Betrayal , 1973), Robert Sedláček’s quality TV drama Den po Mnichovu ( A Day after Munich , 2013), and Petr Zelenka’s allegorical comedy Ztraceni v Mnichově ( Lost in Munich , 2015). Their interpretation