{'fraction_non_alphanumeric': 0.023686158401184307, 'fraction_numerical': 0.007401924500370096, 'mean_word_length': 5.693069306930693, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Dom Hans van der Laan’s Architectonic Space: A Peculiar Blend of Architectural Modernity and Religious Tradition

Abstract This article discusses the design methodology of the Benedictine monk-architect Dom Hans van der Laan (1904–91), famous for his manifesto De Architectonische Ruimte (Architectonic Space, 1977), in which he proposed his ideal elementary architecture. In the past, this ideal achitecture was linked to Van der Laan’s proportional system and to his general approach as an architect rather than to his Catholic background. Consequently, the changing conceptual landscape in which he developed his ideas on the relation between religion and design was neglected. Yet, as this article will argue, it is only by carefully exploring the relation between Van der Laan’s attempts to define a fundamental architecture and his ambition to understand the religious traditions they may have sprung from that one can understand how his religion and design methodology influenced each other. Based on unedited primary sources (letters, notes, design sketches, lectures), this article reveals forgotten interconnections between Van der Laan’s religious and architectural thinking. By analysing these motifs, it offers new insights on the interrelationships between religion and architecture that go beyond the traditionalist-modernist dichotomy.