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Among the Tentative Haunters

Nautical archaeologists act as architects of ruins as they rebuild ships
 from wrecks. Architectural salvation from demonic depths appeals to
 two aspects of the Early Modern legacy: God as Divine Architect and the
 restoration of Edenic utopia from dystopia. This chapter considers the
 uncanny encounters between scholar and shipwreck that must precede
 archaeological resurrection. Ships are reengineered with information
 negotiated from the wreckage underwater, yet submersion dulls or nullifies
 each of the five senses classically used in scientific enquiry. The concept
 of dystopian phenomenology explains how archaeological knowledge
 of shipwrecks is acquired underwater. Recollections of ‘visitations’ to a
 wrecked sixteenth-century galleon in Ribadeo, Spain inform a phantasmal
 sensory approach to help unveil the elusive ontology of shipwrecks.