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Encapsulating Visions of Nationhood Finland (1911) as a Memory Box

At the turn of the nineteenth and twentieth centuries there was a growing interest in Finland to increase tourism by making the home country known among its own citizens and by arousing international interest in travelling to the shores of the Baltic Sea. In 1911, an international fair for tourism, Die Internationale Reiseund Fremden-Verkehr Austellung, was planned to be organised in Berlin, and the initiative was taken in Finland to produce a promotional film for the exhibition. This was exceptional in the sense that no previous film advertising an entire country is known to have been produced in the history of cinema. The urge to apply modern technology in building an international reputation, or at least in giving a sign of existence for the international community, was deeply rooted in the upheaval of national sentiments in Finland that was still a part of the Russian empire at the time. The policy of Russification was particularly oppressive during the years 1899–1905 and 1908–1917. Finns have traditionally called these periods sortokaudet (years of oppression) and interpreted them in terms of national threat; yet, they were in