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Manipulación Política y Cultura Popular En Jamaica (Political Manipulation and Popular Culture in Jamaica) (in Spanish)

En este articulo Taitu Heron explora los nexos entre la politica y cultura popular en Jamaica a traves de un analisis especifico del papel de la cancion popular en el proceso politico de Jamaica durante tres decadas y media (1960-1996). This article explores the politics-culture nexus by looking specifically at the role of popular song in Jamaica’s political process during 1962-1996. The paper briefly examines the ways in which musicians and singers as agents of popular culture interpreted and responded to the socioeconomic and political exigencies of the island before and immediately after independence from Britain in 1962. It analyses the ways in which political parties and specific politicians co-opted and manipulated agents of popular culture during the 1970s in particular, in order to solicit electoral support.