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THE CONTEXT OF THE SANCTUARY AT BATH

Pompeian painting styles and the monuments of Rome. Derived from a graduate seminar, W. positions the book as a scholarly contribution accessible to a general audience (p. xvi). I fear it achieves neither goal. I cannot see assigning this text to students, as it does a lot that I advise against. It is frustrating to use, makes no substantial argument, is rife with errors and will not guide students to other scholarship. W. and Routledge have no doubt put an immense amount of work into its preparation. Sadly, more was needed.