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TECHNO-SYMPHONY “RETHINKING PROGRESS” BY VICTOR ARGONOV: CULTURAL CONTEXT AND FACETS OF POLYSTYLISTICS

The symphony “Rethinking Progress” by V. Argonov is considered to be the first techno-symphony in Russian musical culture. The origin of techno-symphony is connected to the process of convergence of academic and electronic music at the turn of the 20–21st centuries and the emergence of new techno-art forms. The conditionality is revealed between the style specifics of the symphony “Rethinking Progress”, the cultural context of the epoch and the influence of polystylistic trends. The musical text of the techno-symphony contains features of an academic symphonism, including the preservation of the cyclic structure and the dramaturgical functions of parts, the existence of the conflict between the main thematic areas, the elements of programme music and the system of leitmotifs. The composer follows the style of electronic music in general, however, in each of the five movements of the techno-symphony, different styles are found: “pixel music”, techno-trance and other styles. Also the polystylistics appears in the using of typical techniques – quote, auto-quote, allusions.