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Surrealist Senses: Marcel Jean’s Representations of Budapest

Abstract The paper analyses the spatial representations and the self- representajtions of the surrealist author Marcel Jean in his late autobiography entitled Au galop dans le vent, where he reflects upon his life and upon the seven years that he spent in Budapest with his wife between 1939 and 1945, and also in his book Mnésiques, published in 1942 in Budapest. In this latter book the presence of the surrealist mythology of transformation can be interpreted as a representation of the dislocated self, Au galop dans le vent showing the historical and biographical contexts of these experiences.