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Women, Love, and Commodity Culture in British Romanticism by Daniela Garofalo (review)

natural imagery. More attention to how male and female Romantic Hellenisms intersected would have given greater nuance to some of Comet’s arguments. In general, though, this is a minor critique of an impressive book that adds an important dimension to scholarship in Romantic Hellenism, especially insofar as it reveals how female Romantic writers contributed to the Classical movement both in the Romantic period and beyond. As Comet emphasizes in the book’s conclusion, Elizabeth Barrett Browning’s classical writings, usually understood to extend a male literary tradition, were actually influenced by the works of writers like Hemans and Landon. Romantic Hellenism and Women Writers, which will appeal to British Romantic and Victorian scholars, as well as Hellenists more generally, gives readers greater appreciation for the multiple ways in which Greece was mediated by female Romantic writers and better insight into how the Classics were deployed by nineteenth-century writers of both sexes. Carleton University Alexander Grammatikos