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Keaton's Leap: Self-Projection and Autobiography in Film

In exploring what we are talking about when we talk about a film as the self-projection of a filmmaker, this introduction suggests film's potential for not only recrafting the act of self-representation, but also for examining the nature of selfhood and its construction, as the very impossibility of cinematic autobiography aids in the discovery of a more implicated, complex, and unrepresentable subject.