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SCARRED TREES AND BECOMING-WITNESS

Abstract What happens when the landscape looks back? How is it that the landscape sees? This essay goes in search of material-semiotic signs of Australian Indigenous Country, overlooked and actively unseen through the history and enduring violence of European invasion. Whether in the form of eel traps, fishing weirs, remnants of stone huts, scarred trees, or else discovered in the notebook sketches of early explorers who wondered at the park-like composition of the landscape they were newly encountering, such evidence offers testimony to an Indigenous environmental knowledge we are in great need of today, grappling as we are with the concatenating effects of the climate crisis. The acknowledgement of sites of Indigenous significance across Australia, often threatened by mining interests and infrastructural projects, is discussed here in relation to the cultural and ritual artefact that is the scarred tree. This article explores the entangled act of witnessing via the more-than-human becomings of the landscape, or what Indigenous custodians call “Country,” and through the protean figure of the becoming-witness. Drawing on the theories of feminist ethnographers and philosophers while paying crucial heed to the voices of Indigenous scholars, I situate myself as a non-Indigenous scholar between the fields of architecture and philosophy. Venturing into the deceptively mundane suburban hinterlands of Melbourne, Australia in search of scarred trees, I attempt to broach a careful dialogue between Indigenous and non-Indigenous modes of what Deborah Bird Rose and Thom van Dooren call “Storying” as a process of learning with Country.