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Gothic animals: uncanny otherness and the animal with-out

early modern English studies, although the introduction features a cogent reading of Timon of Athens. Perhaps the book’s most significant achievement is to establish that nature is so central to seventeenth-century English culture that it would be rash for early modern ecocritics to wink at it or wish it away. To his credit, Remien amply demonstrates that ‘the future of environmental criticism may lie less in getting rid of nature in favour of ecology . . . than in putting nature back into economy’ (6).