{'fraction_non_alphanumeric': 0.019891500904159132, 'fraction_numerical': 0.0, 'mean_word_length': 5.517647058823529, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Consciousness in Modernist Fiction: A Stylistic Study by Violeta Sotirova (review)

Obscene Modernism offers a convincing argument that the category of obscenity continued to animate modernism long after texts like Ulysses circulated freely. What is less convincing, however, is Potter's treatment of facts and figures who have been the subject of important scholarship by others. Her dialogue with Rainey demonstrates the care and nuance with which Obscene Modernism might have engaged work that deserves more than a collective (or erroneous) footnote.