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Holograms/Holographic Projections : Ghosts Amongst the Living; Ghosts of the Living

This chapter explicates holographic projections as the second instantiation
 of post-screen media. Often mistaken as holograms, these projections of
 images ranging from Tupac to Julian Assange to holographic protests redraw
 the boundaries between life and death, and enable a re-imagination
 of ghosts, deadness, aliveness and afterlife. The chapter argues for four
 different moments in a history of ghosts in the media: resurrection;
 necrophilia; necromancy; and interactivity. The last facilitates spectral
 life in the post-screen through considering holographic projections of both
 dead and living figures. In relation to the dead, the post-screen becomes a
 space in limbo between deadness and aliveness; in relation to the living,
 the realness of the holographic body stretches in a tetravalence across
 dual axes of actual/virtual and here/elsewhere, and enlivened in what I
 call vivification. In these 3D displays on the post-screen of resurrected and
 vivified bodies, different kinds of life, afterlife and after-death emerge.