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JAMES PRIMOSCH (b. 1956)Three Sacred Songs (1989)

This chapter takes a look at some examples of James Primosch’s sacred music. It shows how the solo song cycle Three Sacred Songs exemplifies his consistency, integrity, and technical skill. Here, assured craftsmanship is welded to sincere spiritual conviction—a winning combination, which communicates strongly and directly. Three widely contrasting movements form a satisfyingly balanced whole. The vocal writing is modal and mellifluous, and eminently practical, avoiding extreme demands of range or technical virtuosity. Sopranos, tenors, light mezzos, and even high baritones can take it on board. The piano parts supply a wealth of translucent, well-balanced textures, which are entirely idiomatic and lie comfortably under the hands. The general tone is radiant and joyful—a welcome antidote to the more melancholy aspects of religious music. The piece is ideal for a church recital, and a resonant acoustic will add bloom to its sonic beauty.