{'fraction_non_alphanumeric': 0.017992424242424244, 'fraction_numerical': 0.0, 'mean_word_length': 5.291666666666667, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Photography and cultural memory: a methodological exploration

Recent years have seen a flowering of research and scholarship on cultural memory across the humanities and social sciences. Among the many facets of this work is a quest to extend and deepen understanding of how personal memory operates in the cultural sphere: its distinguishing features; how, where and when it is produced; how people make use of it in their daily lives; how personal or individual memory connects with shared, public forms of memory; and ultimately, how memory figures in, and even shapes, the social body and social worlds. Personal and family photographs figure importantly in cultural memory, and memory work with photographs offers a particularly productive route to understanding the social and cultural aspects of memory. Beginning with a study of one photograph, this article develops and interrogates a set of interlocking memory work methods for investigating the forms and everyday uses of ‘ordinary photography’ and how these figure in the production of memory.