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So Close and Other Essays: On Hélène Cixous’s writing

At the end of the sixteenth century, the genre of the essay transformed the relationship between the subject and object of writing, since the essay emerged as a reaction against other literary forms—such as the commentary, the gloss or the treatise—in which the object of study is not problematized. The gloss, the commentary, or the treatise deal with disciplines or thematic topics—astronomy, agronomy, theology, physics, history—in the proper sense, whereas the essay tends to focus on the approach to those issues. To put it differently, the essay is not strictly concerned with these issues or topics in themselves, but with the approach to them by means of writing. With Michel de Montaigne, specifically in his Essays published between 1580 and 1595, we are faced with writing where the knowledge of the object is no longer the sole center of the text. Despite being actually concerned with the Greek philosophical tradition, sixteenth-century religious wars, and, among many other topics, European colonialism in America, Montaigne’s Essays try to contest the privilege of the object, the privilege of the referent of writing, in