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Architectonics of the lyrical book of O. A. Okhapkin “The Staff”


 Oleg Aleksandrovich Okhaphin (1944-2008) is a representative of Leningrad literary underground of 1960’s-1970’s, which explains the fact why the majority of his texts was published on the pages of Samizdat. The peculiarities of the poet’s writings are insufficiently covered in the Russian literary studies, since multiple texts remain unpublished or inaccessible. This article analyzes the unpublished in official press lyrical book “The Staff”. In the course of research, the author applied the hermeneutic, comparative-historical, and intertextual approach towards examination of the literary work in question. It is underlined that holistic representation on his literary legacy is characteristic for Okhaphin, thus his book “The Staff” holds a specific place in his creative path. Lyrical book is a cyclic unity that combines texts of various genres. Each text is viewed in the context of two traditions: literary and Biblical. The book is also a crossover: the first and second parts aligns with poet’s creativity of the previous years; it is the foundation for emergence and development of the poetry of later years that is reflected in the third part. 
