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Rethinking the North Italian Early Neolithic

Algeria and Morocco. The relationship between prehistoric art on both sides of the Mediterranean, explored in the early days of Levantine art investigation, has been largely overlooked since. Although North African rock art is not as well documented as European prehistoric art, and despite regional singularities, this is where we find the sheer dynamism of representation and similar themes. Only two papers move away from the main focus of the debate: Martínez Bea’s classification of painted rock shelters according to their territorial distribution (Chapter 12) and Nash’s synthesis of the palaeo-environmental records in eastern Spain, which he attempts to associate with the stylistic evolution of Levantine art (Chapter 16). In sum, this volume shows that the task of re-thinking Levantine art is definitely launched with its contents stimulating novel and more ambitious inquiries. In my view, this is one of the most valuable books recently edited on Iberian rock art for it sheds new light on what will certainly be one of its leading research subjects: Early Holocene art. REFERENCES