{'fraction_non_alphanumeric': 0.028409090909090908, 'fraction_numerical': 0.0, 'mean_word_length': 4.813186813186813, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
The Cognitive Line in Russian Avant-Garde Art

The painter’s artistic tools are color and line—with them, perception and sensation of the world are transformed into objects. These objects reveal a transition from sensation to knowing, from creation to cognition. Kandinsky, Rodchenko and Malevich wrote about the functions of color and line in art—as a grammar of the soul and as rational instruments used to “name” the world. For Malevich, the line was also a sign, the indicator of a cognitive process and a historical marker.