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The Cry at Zero (review)

through a profound and sophisticated engagement with the past produces experiences and insights of new knowledge that touch the present through an actualization of past traces, in an almost Bergsonian sense. One can only congratulate Albright for this achievement, which also seems to indicate that the discipline of dance, along with a critical engagement with its theory, has a lot to offer to interdisciplinary research, in particular through bridging the acknowledged lack of methodologies. To conclude in the spirit of Fuller, it could be suggested that modern approaches in the light of postmodernism may, to use Rodin’s words, open pathways for art-science collaborations of the future.