{'fraction_non_alphanumeric': 0.02127659574468085, 'fraction_numerical': 0.0025031289111389237, 'mean_word_length': 4.369127516778524, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
The One Unforgivable Transgression?

In terms of economic capital, Kluun is one of the most successful Dutch
 authors of the last two decades. To date, at least a million copies of his
 debut novel Komt een vrouw bij de dokter have been sold; the book has
 been translated into 26 languages. His later novels were less successful,
 but were still sold in considerable numbers. The reason why the ‘Kluuncase’
 is remarkable is twofold. Firstly, Kluun is the former owner of an
 Amsterdam advertising firm, and considered his first novel not only
 an artistic product but an advertising venture as well; secondly, Kluun
 consciously played with the gap between his economic success and the
 the amount of symbolic capital he accrued, and used the branding of his
 name and work as a literary strategy.