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THOMAS DIGGES, ROBERT PARSONS, SIR FRANCIS HASTINGS, AND THE POLITICS OF REGIME CHANGE IN ELIZABETHAN ENGLAND

Abstract By reconstructing the multiple contexts that prompted the production, in 1601, of a single tract, this article evokes and analyses the febrile political atmosphere of the Elizabethan fin de siècle, produced by the spectre of regime change consequent upon the death of the queen, and by the visible connections between central elements in the regime and certain Catholic loyalists involved in the notorious Archpriest Controversy. Certain men, most notably Sir Francis Hastings, who were used to regarding themselves as insiders and believed that they were some of the Protestant state's most trusted agents in the struggle against popery, now found themselves typed as ‘puritans’ and thus, at least potentially, on the outs with a regime engaged in a (to them) extraordinarily dangerous flirtation with allegedly ‘loyal’ papists. Adopting the politique hermeneutic mode of the Jesuit Robert Parsons, Hastings all but outed the guilty men and did so via a thoroughly self-conscious exercise in public politics. Throughout, the full range of contemporary media was in play, with printed polemic framing parliamentary debate, that debate in turn feeding into the pamphlet press, which prompted yet more rumours, in London and on the continent, before provoking the state's recourse to those ultimate forms of official publicity, a royal proclamation, treason trials, and the gruesome performativity of the scaffold.