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ABNORMAL NARRATIVES: DISABILITY AND OMNISCIENCE IN THE VICTORIAN NOVEL

In Charlotte Brontë’s Villette (1853), Lucy Snowe is tasked to deliver a “little basket” to the mysterious shut-in Madame Walravens (396; ch. 34). After crossing an “inhospitable threshold” (398) that leads to an “inhospitable salon” (400), Lucy is told to wait for the lady of the house, who will serve as both grandmother and wolf in this Red Riding Hood revision. Caught in a dreamlike, “fairy tale” trance, Lucy focuses her attention on a curious picture, which “give[s] way” to expose an arched doorway and a winding staircase. The tapestry momentarily displaced, Lucy hears the taps of a walking-stick, and then spies a “substance” that eventually materializes into the distinct form of Madame Walravens: “She might be three feet high, but she had no shape. . .. Her face was large, set, not upon her shoulders, but before her breast; she seemed to have no neck.” Lucy proceeds to call her host “[h]unchbacked,” and “dwarfish” — a “barbarian queen,” an “uncouth thing,” and an “old witch of a grand-dame” (399–402; ch. 34), who is as “hideous as a Hindoo idol” (473; ch. 39). Most important, Lucy notes the “violence of a temper which deformity made sometimes demoniac” (403; ch. 34). Madame Walravens's physical abnormalities make her not just the villain of a fairy tale, but a supernatural terror. Lucy may only confront the reality of disability by transforming it into a “tale of magic” (399; ch. 34) — one that she escapes by re-crossing the “inhospitable threshold.”