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Music in Puerto Rico: A Reader's Anthology . Edited and translated by Donald Thompson. Lanham, Md.: Scarecrow Press, 2002.

work points to the potential for an inclusive, participatory model of criticism, but not one driven purely by the economic necessities of the writers’ marketplace. As he shows, the spirit of jazz criticism is as much about dialogue and communal response as delivering objective pronouncements from on high—perhaps the bending of a Western intellectual tradition towards African American culture values. Moreover, studies like Blowin’ Hot and Cool have the potential to challenge the prevalent representations of “the media” as a faceless, monolithic entity. Further investigation of the contexts in which these critics have been embedded, the exigencies and constraints they have faced in their many and sometimes competing roles, would greatly assist our understandings of individual agency not only in terms of those being mediated, but also of the mediators themselves.