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The Aural Point of View in the Early Films of Rolf de Heer

This paper argues that his use of the aural point of view (APOV) in his early films (Tail of a tiger [1984], Incident at Raven's Gate [1988], Dingo [1991], Bad boy Bubby [1993] and The quiet room [1996]) permit greater audience identification with the protagonist/s and help define writer/director/producer Rolf de Heer as an aural auteur.