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Imanol Uribe's La muerte de Mikel : Policing the Gaze/Mind the Gap

La muerte de Mikel (1983) was the most successful film in a relative boom resulting from increased Basque government subsidies between 1982 and 1987. It was also among the top-grossing Spanish films of 1984. Like The Crying Game (UK, 1992) and The Kiss of the Spiderwoman (US/Brazil, 1985), it juxtaposes revolutionary politics with homosexuality to examine ideological suppressions of difference. Mikel is an unhappily-married young pharmacist involved in Basque Nationalist politics. At the beginning of the film, his wife Begoña seems concerned to resolve their problems, but Mikel bites her during an alcohol-fuelled attempt at oral sex, effectively terminating their relationship in summary 'castration'. The attack takes place after Mikel discovers that Begoña has discussed their sexual problems with his domineering mother and may be read, therefore, as a horrificallydisplaced attack on the phallic mother which signals the maternal/filial conflict that will lead to Mikel's death. Begoña's doctor, who is also a friend and mentor to Mikel, recommends a therapist in Bilbao. After his first session, Mikel joins an old friend in a bar, gets drunk and has sex with transvestite Fama. Humiliated and confused, he embarks on a suicidal drive down the wrong side of the motorway, but swerves aside in time to avoid a crash. He does come to terms with his attraction to Fama, and is forgiven by Begoña (in a scene which defies the suspension of female disbelief). However, when his homosexual relationship becomes public, he is rejected by his political