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When the waters will be one: Hereditary performance traditions and the Yolηu re‐invention of post‐Barunga intercultural discourses

The contemporary Yolnu practitioners of music have fostered new intercultural discourses about their living religious, intellectual and legal traditions, and their continuing sovereignty in northeast Arnhem Land through their engagements with new media, audiences and performance contexts. The conceptual and theoretical bases for these engagements in hereditary Yolnu intellectual traditions are examined and their recent development through innovative public initiatives is addressed.