{'fraction_non_alphanumeric': 0.022222222222222223, 'fraction_numerical': 0.001851851851851852, 'mean_word_length': 4.824797843665769, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Unpublished Early Dynastic Sealings from Ur in the British Museum

Some years ago at the request of Dr. R. D. Barnett, then Keeper of Western Asiatic Antiquities, Mrs. Diane Gurney prepared drawings of unpublished sealings from Ur in the British Museum for a supplementary volume in the Ur Excavation Series. At the same time she also did revised drawings of a few sealings already published by Legrain in Ur Excavations III: Archaic Seal-Impressions (London, 1936). As the proposed supplementary volume has been cancelled, Mrs. Gurney's careful drawings are published here with a revision of the short catalogue and commentary which I originally wrote to accompany them. The complexity of the task facing Legrain was formidable and must never be forgotten. Criticism of his impressionistic, often idiosyncratic, renderings of these designs is all too easy. The decipherment of details is often hard enough; but it is the restoration of complete designs that is so testing of eye, hand and judgement. Those compositions combining geometric motifs or cuneiform signs, sometimes both, with representations of men, animals and objects are particularly hard to unravel. Sometimes not only the exact frame of a design, but even its orientation, is in doubt. Nor yet have we actual cylinders carved with the most intricate of such designs to guide us. In preparing her drawings Mrs. Gurney first produced a provisional pencil sketch. After independent study of the sealing, I discussed this initial copy with her, resolving as far as possible any points at issue. Then the drawings were completed in ink, with any details which remained obscure rendered in broken line. Since the drawings best speak for themselves, catalogue descriptions have been reduced to a minimum. As far as possible cross-reference has been made to Legrain's pioneer study. His introductory remarks and his analysis of decorative motifs are as relevant to the sealings here as to his selection. This supplement adds nothing of substance; but it offers an opportunity for students to contrast another hand and eye to Legrain's in one of the most important groups of sealings yet found in Iraq.