{'fraction_non_alphanumeric': 0.028350515463917526, 'fraction_numerical': 0.006872852233676976, 'mean_word_length': 5.695402298850575, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
The Transregional Illustrated Magazine Al-Arabi


 This article investigates the transregional cultural magazine Al-Arabi (al-‘Arabi) during the late 1950s and 1960s under its first editor, the Egyptian scientist Ahmad Zaki. Founded in Kuwait, the magazine’s establishment and sociocultural-political agenda are reconstructed within the context of Kuwait’s cultural diplomacy and pan-Arabism during decolonization and early Cold War politics. Al-Arabi offered timely discussions on Arab cities, gender, literature, politics and science, and readily embraced color photography for illustrations as a way of stimulating transnational understanding during times of substantial change in the region. Consequently, an analysis of Al-Arabi provides insights into historical strategies for re-imagining the region from within. Overall, the magazine can be situated in a long-standing tradition of Arab printing and publishing, while also forming part of a global illustrated magazine culture. Using a transdisciplinary approach, the article combines archival research and interviews with the media-historical and art-historical analyses of text, image and graphic design.