{'fraction_non_alphanumeric': 0.037444933920704845, 'fraction_numerical': 0.03524229074889868, 'mean_word_length': 5.834586466165414, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Introduction. The Future is Now: Reflections on Art, Science, Futurity

Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villasenor Black and Mari-Tere Alvarez take as inspiration the work of prolific Renaissance artist and inventor Leonardo da Vinci (1452–1519) and other polymaths, such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernandez de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and queer studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression.