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Framing Female Lawyers: Women on Trial in Film, by Cynthia A. B. Lucia

previous and subsequent films might be fitted to the definitive elements of this genre. International law and ethics are explored through the key concepts of sovereignty, idealism, and consensus, which is a most ambitious undertaking for a short chapter (pp. 120–132). A short, basic excursus on the evolution of German law permits Chase to point out ways in which Judgment at Nuremberg flagrantly contradicts actions in the Germany of the 1930s and 1940s but eloquently renders issues in the United States of the 1950s. Students of politics and communication thus will be encouraged to ruminate on some fascinating films and important ideas by this provocative, pithy book. It is only minimally about the pragmatics or production of films, so readers with those interests will have to expand their relevances to profit from the questions and contentions that the author raises. Readers who relax and take Chase’s reveries for what they are worth will discover that the insights are worth a great deal. Those who are looking for theoretical syntheses or architectonic conclusions will not find them herein.