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Painting Herself out of a Corner: The Woman Artist in American Society

professionalization as an organizing and explanatory mechanism, and each overlaps the other to a considerable degree. Prieto casts a wider net, beginning with Anna Claypoole Peale early in the nineteenth century and ending finally with modernist painters, including (inevitably) Georgia O'Keeffe. Swinth contracts her scope somewhat, starting out in the Gilded Age and taking her narrative up to the same modernist finish line. Both draw on archival sources and offer a considerable fund of new information and anecdotes about women's training, struggles, networks, conflicts, and careers. Both concentrate almost exclusively