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Lines, Dots and Pixels: The making and remaking of the printed image in visual culture

In keeping with the romanticism of its narratives, information technology implicates itself in people’s attempts to progress from one sphere of existence to another. The new sphere includes both the digital utopia promised by much IT commentary and literal transcendence through immersion in the ‘consensual hallucination’ of the digital matrix, digital ecstasis, and participation in an ideal unity (Coyne, 1999, p. 9).