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Play, Process, and the Unknown

Abstract The School of Making Thinking (SMT), established in 2011 in New York, is simultaneously a residency programme for artists and thinkers, an experimental college and a nomadic investigation into intentional living. Through a summer residency programme, immersive events and conferences, and artist-run classes in New York City, the organization aims to explore nontraditional connections between art and thought in an embodied, integrated experience among creators and thinkers. This paper outlines The School of Making Thinking’s pedagogical worldview by situating key SMT artworks and practices alongside their theoretical and political ramifications. In doing so, the text conveys SMT’s commitment to: the creation of an organization that undergoes constant structural reorientation via consensus-driven models, the establishment of a process-oriented environment that necessitates the embrace of the unknown, the critique of emergent power structures, the use of subversion as a necessary tool for innovation and change, the upholding of structures of intimacy and vulnerability and the encouragement to challenge oneself towards the embodiment of ideas. By questioning and reformulating the way that thinking and making are experienced and understood, SMT destabilizes the primary structures in which thinking and making are customarily applied, namely: the art world and the academy. The pedagogy of SMT forges alliances of optimistic experimentation and exploration between affiliates of these two worlds. With these fluid, subversive and nomadic principles at play in SMT's structuring and programming, the learning site continues to become an environment that resists the crystallization of undue authority within the cultures of thinking and making.