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Szymanowski and Narcissism

The ‘cultivation of the self’, which Carl E. Schorske has identified as a characteristic of the Viennese bourgeoisie, establishes a ‘link between a devotion to art and a concern with the psyche’. Such a life ‘appropriated the aesthetic, sensuous sensibility’ leading to ‘narcissism and a hypertrophy of the life of feeling’. Szymanowski, who was for many years fascinated by Viennese culture, reflects many of these characteristics. He was, furthermore, greatly influenced by the work of Pater and Wilde, central figures in the English ‘decadent’ scene which, in Arthur Symons's words, was marked by ‘an intense self-consciousness, a restless curiosity in research, an over-subtilizing refinement upon refinement, a spiritual and moral perversity’. It is unsurprising, therefore, to find narcissism appearing as a prominent theme in many of Szymanowski's works.