{'fraction_non_alphanumeric': 0.022556390977443608, 'fraction_numerical': 0.0, 'mean_word_length': 4.962686567164179, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Shakespeare and the Power of the Face ed. by James A. Knapp (review)

Kilroy has sought in this biography to analyse how a sixteenth-century individual developed a belief about God and His relationship with humans, but the ultimate focus of Kilroy’s attention is Campion’s (and every other Catholic’s) moral dilemma over how to reconcile secular and religious commitments within a state that offered no formal toleration of anything other than the religion by law established. Campion’s legacy came in many forms. Kilroy, in a brief account of it, argues that he would have deplored the exploitation that Allen made of his sacrifice but the more interesting material relates to the print controversy that immediately spread across Europe and the ways in which Campion’s ideas emerged in literature.