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City/Stage/Globe: Performance and Space in Shakespeare’s London (review)

by eliminating circumstances. Frohlich traces volo’s emergence in Teresa’s autobiographical texts, showing that although Teresa initially experienced “ruptures,” she was ultimately able to create a shared space with Christ and experience volo. Furthermore, Teresa resolved her struggle with the theological ideal of contemplative emptiness without corporeality once she recognized an emptiness “of radical hospitality” (171).