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Applying the concept of musical social entrainment in researching tambura practice in Serbia

Entrainment in music refers to the interaction and synchronization of two or
 more rhythmic processes. The first part of this paper presents entrainment
 the?ory in ethnomusicology as a methodology for interdisciplinary research
 into musical, social, and cultural phenomena. The second part of the paper
 concerns the application of the concept of musical social entrainment in the
 example of tambura practice. Because tambura players display mutual
 entrainment through various behaviors during playing and social interaction,
 applying entrainment theory entails an analytical segmentation of the social
 and musical spheres in a specific musical performance.