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Baltic musicological conferences: National music historiographies and transnationalism

The article explores the Baltic musicological conferences as a
 non-hierarchical network and its role and meaning in the changing political
 and cultural contexts. Starting from 1967, when the first conference took
 place, the annual meetings of the Baltic musicologists soon became a
 transnational space for the professional exchange and crosscultural
 discussion. Based on the results and the impact of cooperation between
 musicologists of neighbouring countries, the Soviet formation of the
 national history writing and the development of the Baltic musicological
 comparativism is discussed, given the political and cultural factors of
 these changes. The theoretical foundations and cultural aspirations of the
 concept of national music historiography by Vytautas Landsbergis is
 highlighted as representative example of the national self-confidence in
 Lithuanian musicology during the Soviet period.