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The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810 (review)

the 1960s and 1970s. But it would be unfortunate for anyone to embrace his thesis without studying the rather different theological conclusions that came from the pen of Newman, following his study of historical change. The book under consideration leaves little substance to consider and no tools for discerning that which is faithful to Catholic tradition and that which is not. Newman’s labors, on the other hand, effectively distilled the difference between authentic change, which is desirable growth and necessary development, and that which constitutes deformity and infidelity.