{'fraction_non_alphanumeric': 0.011864406779661017, 'fraction_numerical': 0.0, 'mean_word_length': 5.4945054945054945, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Rewriting the Individual in Revolutionary China

ABSTRACT In an attempt to destabilize the stereotypical French imaginary of China, François Cheng intends to offer in Le Dit de Tianyi a more compelling “witness” to the Chinese individual in historical circumstances. Casting his characters in the light of a ternaristic ontology that incorporates Daoist mysticism and Confucian humanism, Cheng hopes to reestablish the agency of the Chinese subject, an individual who eventually is able to transcend the tragic conditions of the Chinese revolution and regain the purpose of human existence.