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INTERPRETATION OF INFORMATION CONTENT AS AN ELEMENT OF PROFESSIONAL COMPETENCE OF FUTURE TRANSLATORS

The article examines the essence of information content of the work of art and analyzes factors that determine the perception and understanding of the subtext. According to the concepts and approaches to defining the essence of the category “information”, the types of information in literary texts are identified. It is determined that the professional competence of the translator includes meaningful and professional reproduction of elements of the author’s stylistics in order to avoid deformation of the content of the text while preserving its external structure and the use of similar lexical units. Despite the existence of different translation concepts and approaches to interpretation of the information content of the same work of art, the literary text remains the basis of translation, so there are the requirements for its adequacy and objectivity. It is established that the translation from English into Ukrainian is influenced by objective and subjective factors, so the ultimate goal of a competent and professional translator is harmonious translation as a set of synergies of semantic fields of translation and synergy of objective and subjective, expressed in explicit and implicit assessments, as well as in the synergy of interpretation of information content of literary texts. Consideration of the individual originality of the work of art during the translation will determine the objectivity of the transfer of ideological and artistic orientation of the original text and, accordingly, the professional competence of the translator. It is investigated that the modern theory of translation lacks a single approach to understanding the essence of objective and subjective interpretation of information content, which allows to accurately assess the success of translation and the degree of its conformity to the original, so translators have to search methods for the adequate interpretation of the individual style of the author, objective-linguistic transformation of original literary texts.