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From Personel to Dekalog: Michnik, Havel, Konrad, Camus and the Search for the Individual in the Cinema of Krzysztof Kieślowski1

This article analyses the extent to which samizdat publications by Central European dissidents, in particular those of the Pole Adam Michnik, the Czech Václav Havel, and the Hungarian György Konrád, had an influence on Kieślowski’s feature films. The article follows the development of the dissidents’ ideas in parallel to the development of Kieślowski’s own search for the lost individual in former Soviet-bloc societies. Finally, the article also explores the impact Camus’s thought had on Kieślowski’s work of the 1980s.