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Irish Cursing and the Art of Magic, 1750–2018*


 Fairies, leprechauns, banshees, witches, holy wells and rural remedies. Historic Ireland is famous for its superstitions, magic and ‘alternative beliefs’. Yet we should not ignore what was once the most widespread Irish magic of all: cursing. A righteous occult attack, a dark prayer for terrible pains to blight evildoers, cursing was unnervingly common from ancient times until the mid-twentieth century. This article explores its neglected modern history, since the late 1700s, by carefully scrutinizing the Irish style of cursing, relating it to wider social and economic conditions, and making comparisons with maledictions elsewhere. Irish imprecations can be analysed using familiar academic categories such as belief, ritual, symbolism, tradition and discourse. However, by repurposing an older way of thinking about magic, I argue that historic Irish cursing is best understood as an art, because it required knowledge, practice, wit, skill and composure. Intimidating, cathartic and virtuoso: cursing mingled gruesome yet poetic phrases with ostentatious rites, in the name of supernatural justice. It had many applications but was particularly valuable to Ireland’s marginalized people, fighting over food, religion, politics, land and family loyalties. Cursing rapidly faded from the mid-twentieth century and, unlike other forms of occultism, was not revived by the post 1970s ‘New Age’ movement. Its unusual history underlines three wider points: (i) magic can usefully thrive in modern societies, figuring in the most vital areas of life; (ii) different types of magic have distinct chronologies; (iii) the most psychologically powerful forms of magic are subtle arts that deserve our (begrudging) respect.