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On Alternative Interpretation and Representations of Labor in Soviet Cinema of the 1950s and 1960s

The author of the article uses discourse analysis to recreate the interpretation of labor that is latent in the representation of housewives’ images. The research material included Soviet movies of the 1950s and 1960s. The author addresses social, economic and cultural contexts of the 1950s and 1960s. Gender policy of the state, existing gender contracts, popular family models, the fight against parasites, etc. are also studied. The author explains the reasons for the different demand for the image of a housewife and the different measure of tolerance towards the status of a housewife, which are demonstrated in the cinema of two decades.