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SCORES IN BLOOM: SOME RECENT ORALLY TRANSMITTED EXPERIMENTAL MUSIC

Abstract A small group of composers and performers are collaborating orally/aurally on the creation of experimental music that eschews written scores (‘living scores’). By charting the overlaps between working methods and relationships – both social and musical – this article endeavours to shed light on how these practices rub against standard modes of documentation, transmission, scholarship and performance. The article begins by mapping out of the orally transmitted collaborative practices of four composers – Cassandra Miller, Pascale Criton, Éliane Radigue and me – as documented through interviews with prominent performer-collaborators such as Deborah Walker, Silvia Tarozzi, Juliet Fraser and Cat Hope. A guiding metaphor frames these practices as gardens and highlights shared thematic concepts such as extended time, hospitality, note-taking and responsibility.