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Balkan Cinema in The 90S

While other lesser-known national cinemas are moving from obscurity into the international spotlight, the treasures of Balkan cinema remain unknown even to cineastes. With the exception of the systematic work on Yugoslavian film by such critics as Daniel Goulding, [1] Ronald Holloway [2] and Andrew Horton, [3] little has been published on one of the most interesting film cultures in Europe. The masterpieces of Dimither Anagnosti, Kujtim Cashku, Liviu Ciulei, George Dyulgerov, Branko Gapo, Nikos Kunduros, Zeki Okten, Ali Ozgenturk, Zivojin Pavlovic, Mircea Veroiu, Rangel Vulchanov, Pantelis Vulgaris, Binka Zhelyazkova, Zelimir Zilnik and many others remain virtually unknown beyond the borders of their respective countries, and even the works of internationally celebrated veterans such as Theo Angelopoulos, Michalis Cacoyannis, Yilmaz Gunei, Dusan Makavejev and Lordan Zafranovic are considered exotic and are rarely shown.