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Swing Along: The Musical Life of Will Marion Cook (review)

much Comintern and Profintern material that has recently become available from Moscow. It also shows a particular and welcome sensitivity to mixed media of expressive culture. The framing of its disparate and, again, contradictory subject is generally very sharp. One does wonder, however, about the need to shoehorn a study that is much concerned with South Asia and East Africa and their impact on British racial politics into the category of the “Atlantic World.” While there is something to be said for the usefulness of this term (as well as that of the “Black Atlantic”), it often obscures more than it reveals, especially when discussing international black radicalism and anticolonialism in the twentieth century. Still, this is a minor complaint about a major book, one that opens up what is practically an entirely new scholarly conversation.