{'fraction_non_alphanumeric': 0.02066115702479339, 'fraction_numerical': 0.0, 'mean_word_length': 5.433628318584071, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism (review)

could manipulate “the rhetoric of immediacy” toward ends that had little to do with soteriological prerogatives. It is here that Daitokuji demonstrates the full promise of the monastic monograph as a space of scholarly inquiry. In its exploration of the deep semantics of visual and material artifacts within the confines of a specific set of sites and communities, it illuminates significant ways in which the monastery—in the totality of its structures, spaces, objects, and constituencies—can serve as a topos for exploring and complicating our understanding of the Buddhist artifact and its apparently artless beholder.