{'fraction_non_alphanumeric': 0.019507186858316223, 'fraction_numerical': 0.0, 'mean_word_length': 4.9815950920245395, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
The Franciscan Tertiaries at the Convent of Sant'Anna at Foligno

The oratory and refectory of the convent of Sant'-Anna in Foligno contain a number of late fourteenth and fifteenth century frescoes that are important documents of Franciscan spirituality in a religious setting intended for women. Commissioned by and for tertiaries of the order of St. Francis during the time of the Blessed Angelina da Montegiove, the paintings include Giovanni di Corraduccio's Allegory of the Cross and Crucifixion, a praying female saint attributed to a follower of Giovanni, another female saint by an anonymous artist, and a Last Supper, Christ in the House of Martha and Mary, and St. Martha in her Kitchen, all also by an unknown local Umbrian painter. The frescoes, especially those that have meals and preparation of food as their subjects, were significant not only as eucharistic images, but also as commemorations of the quotidian lives of the members of this female community.