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Melancholia in Vita Sackville-West’s Hogarth Press Novels

Abstract Author Vita Sackville-West (1892–1962) has been understood as an author who celebrates in both prose and verse the institution of the English country estate, in part because of her personal attachment to her family’s Kentish house, Knole. The four popular novels that Vita Sackville-West published with the Hogarth Press during the early 1930s—The Edwardians (1930), All Passion Spent (1931), Family History (1932), and The Dark Island (1934)—are no exception, save for their particular focus on the agnatic inheritance of both aristocratic title and estate along with the female subject’s exclusion from that system. While the first pair of novels entertain the possibility of mediated success in obtaining the loved object, either the estate itself or an effective substitute, the latter works become melancholically resigned to the restrictions that effectively disinherit the aristocratic eldest daughter. This escalating melancholia, often Freudian in its narrative presentation, directs the novels’ successive focus less toward the act of mourning the loss of the country house, of some version of Knole either real or imagined, and more to the vexing inability to both acknowledge the disinheritance and mourn the loss. In fact, the melancholic dynamic threatens to erase each of Sackville-West’s protagonists, and as her novels detail the advancing impact of this disinheritance, the female characters face literal extinction. Thus, the celebratory stance so often attributed to Sackville-West is, in these works, a far more critical and essentially abject perspective that demands compensation.