{'fraction_non_alphanumeric': 0.0213078618662748, 'fraction_numerical': 0.002204261572373255, 'mean_word_length': 5.0, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Some References to Visualization Practices in Early Chán Buddhism with an Emphasis on guān 觀 and kàn 看

Abstract In the analysis of processes of sensory perception in the framework of Buddhist contemplation practices, the visual sense faculty has played a crucial role. In this paper, references to Chinese Buddhist terminology referring to visual processes will be analyzed in their historical context, with a focus on the interpretations of guān 觀 and kàn 看 by proponents of the early Chán School. Crucial questions include the notions of the “agent” (i.e., the entity engaging in the process of visualization or viewing), as well as the ontological status of the “object” to be viewed, in addition to the nature of the process of viewing and the bodily preconditions for engaging in visualization practices. The creative reinterpretations of terms such as guānxīn 觀心 “contemplate the mind” and kànxīn 看心 “view the mind” were also important devices to create a distinctive identity for this newly emerging Chinese Buddhist school. As will be shown, despite the fierce attacks on “gradualist” meditation practices by proponents of the “Southern School” of Chán during the 8th century, the concepts of guānxīn and kànxīn by no means disappeared from the discourse on meditation but continued to play an important role at least until the 10th century and beyond.