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Of Skulls and Stealth: Reflections on the Image of the New Military Technology

I. In his essay "Norm and Form," Ernst Gombrich commented that the standard art historian's technique of using twin slide projectors when lecturing had its origin in the work of Heinrich Wilfflin.1 Behind the all-toofamiliar double image lies an originary opposition which was of course the nexus of Principles of Art History, Wolfflin's most influential bookthe classic and the baroque-and which he analyzed in terms of his famous "five pairs of concepts": linear and painterly; plane and recession; closed and open form; multiplicity and unity; and absolute and relative