📷 offonoff - Good2me film by - KIMBONGMIN , YEOMWOOJIN


  • Status : in activity
  • Debut : 2015
  • Genres : Hip-Hop, Rap, RnB alternatif, Soul, Mellow, Lo-Fi Hip-Hop
  • Former label / agency : HIGHGRND (2016 – 2018)
  • Part of : CLUBESKIMO (2016 -)

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OFFONOFF is a Korean Duo composed of the singer/rapper and compositor Colde and the musician, compositor and producer 0Channel. In 2015-2016, they joined the CLUBESKIMO, the collective initiated by DEAN and Millic. Early 2016 they also signed with HIGHGRND, YG’s Sub-Label headed by EPIK HIGH’s Tablo which unfortunately closed down in early 2018. 

0Channel (real name Seo Jiho) is born on 16 April 1994, he’s only one month apart from Kim Heeso, better known as Colde born on 10 May 1994.

If we don’t know much about the artists and what led them to music, it’s yet obvious that they share a really deep passion for it. In this way, in an interview from May 2018 for AllKpop, Colde explained that he quite naturally started to compose. At first he was simply an eager listener. Yet he progressively started to sing along the songs and finally came to create his own universe.


From the start, an asserted musical identity

The two friends first debuted on SoundCloud with the album mood. Released on August 24, 2015 and composed of 6 tracks (7 if we distinguish Pink Ocean and Bambada).

The songs are all accompanied by MVs released the same day on the Artists’ Youtube Channel, except for 메모, the interlude.

They are not literally MVs,  but rather film extracts, like for Dreamgirl which is illustrated by cuttings from Leiji Matsumoto’s animated film INTERSTELLA 5555 released in 2003 with an original soundtrack composed by the French group Daft Punk.

Just like this animated movie , this track is tinged with a retro sonority, a little bit like the electronic music of the 80’s. This track can be cut in three parts, and on the last one,  there is almost a vaporwave vibe induced by a light  vocoder effect, acting like a veil  on Colde’s voice.

This retro vibe is present on every song of mood., if not on all the tandem’s productions. Each song has its own vibe, but there is a common retro shade throughout the album. As the name suggest it, Cloud is more aerial, wavy and there is once again a synth spiced up by a light Trap effect. For Pink Ocean they chose to go for a West Coast/Old School sonority, something like the feeling to have spent a whole summer afternoon on a beach which is now lit by the sunset. On the other hand, Bambada, is more nocturnal, nostalgic despite the light synth which gave the rhythm.

Hence, intentional or not, there is actually a sort of progression in this project, like if from one track to another you were spending a day, until dusk.

This night side is increasingly prevailing on the following tracks. For instance on midnight and its Lo-Fi vibe. The track is also in their album boy. by the way, but in a sort of different version . Here 0Channel worked with a really interesting light dissonance effect. Since it’s well balanced , it heightens this impression of delicateness, a moment of briefness  which ends on the track blu, exalted by its sobriety and concision.

It’s quite common to see people referring to Frank Ocean’s influence on OFFONOFF’s work. And it’s true that the vibe of songs like blu could for instance remind of Thinkin Bout You or even White featuring John Mayer.


2016, a year of change

That’s not necessarily from a release point of view that 2016 is a pivotal year since the group only released four singles.  

First they released Bath in September, two days after a Youtube trailer released on 19 September. And well, it seems that in the space of those few months, the musical identity of the duo has evolved quite a lot.  Their music sounds as if they’d have gained confidence, that they were more assertive. There is still this little thing specific to OFFONOFF, but there is something different in their musical colours , especially in 0Channel’s beats. It’s like Bath was a pivotal project in their music.

Coincidence, it was also with this track that they  started to call on visual producers’ services for their MVs. Most of them have been produced by Kim BongMin (@kowa.bonga on Instagram) and/or Yeom WooJin (@yeomwoojinseoulcity)  who also did pH-1’s Flaker MV.

The only exception is the MV of Photograph released on 8 November and realised by Gabworks ( on Instagram). He has for instance produced Dean’s What 2 D  featuring Crush and Jeff BernatZico’s Pride and Prejudice featuring Suran or even Dynamic Duo’s 북향 (Hemi’s room) with OHHYUK.

They ended the year with Moon, 12:04am, released by the following day, that is to say on 9 November, but we had to wait until September 7, 2017 for the MV.

So if 2016 stands out, it’s mostly because their environment changed a lot.

In March, the label HIGHGRND indeed launched a special campaign on Youtube, the HIGHGRNDWEEK during which they officialised PUNCHNELLO, OFFONOFF and Millic’s joining through three shorts promotional videos. The duo more precisely publicly announced they were now part of the label managed by Tablo, Epik High’s leader on 28 March.

If the label ended up shutting down beginning 2018, another important event was yet to come for the tandem: the CLUBESKIMO, a collective founded by DEAN and MILLIC. In this way, they joined the two artists but also PUNCHNELLOCrush2xxx!Campergraphic (or Rad Museum), Miso, Jusén and Chekparren. Dean noticed them on SoundCloud while he was in the United States, their music actually reminding him of California. Through CLUBESKIMO, the members created a really strong bond and shared a lot.

It’s undeniable that those two event might have contributed to the enrichment of their musical universe especially in view of the collaborations Colde and more recently 0Channel did with the other CLUBESKIMO’s members.


boy., an Outcome

Officially released on July 27, 2017, boy. can be considered as an overview of OFFNOFF’s entire work. This album is composed of 12 tracks with 8 MV. There is not only collaborations with CLUBESKIMO’s members but also with Tablo. A little bit like in mood. there is a progression in the atmosphere of the songs, a night gently falling. The visual side of the music is especially present here (Eli’s note: But I’ll go back further on this topic). Listening to this album is  like being out of time, out of space thanks to the hazy beats and  again this peculiar retro patina sometimes accompanied by an acoustic guitar, some other by a piano.

The whole project is really intimate, a metamorphosis with Overthinking as a peak, as much for the lyrics as for the instrumental. The second part of the song, in particular, is marked by a violin progression. This progression reminds us of what can do the French artist Woodkid, and more precisely his  track The Other Side. Violins which gives the intuition  of a rupture, a change; the dawn of a new day.

One track is different from the others though, or at least stands out from what the duo was used to.  Gold, featuring Dean. While Colde’s lyrics are often relate about relationships, here it’s more an egotrip track, the assertion of a will to stand out from the other artists.  

“Kids this day are so similar
Things like that can’t interest me at all
Can you fell it this totally new vibe shit?
Stagnant, boring you, please close your mouth,
Why do you keep talking to me? I’m liberated
Every moment is fresh to me, I draw it how I feel it
Okay my drawings are different cuz whatever comes to me I let come
Unlike you I sell art, so there’s nothing I’m ashamed of under the sky
Leave for that faraway place where nobody is
Nothing to be self conscious about,
Just this is great
The sky’s evening glow so gold
My shining necklace and future so gold
It feels so glod
So gold
We’ll be alright”

Colde/OFFONOFF in Gold, English translation from the Youtube Channel Euraboo


As for the MV, Photograph has been released on November 8, 2016 on HIGHGRND channel. The day of the album release, that is to say on July 27, 2017, it’s the turn of in the car and Gold  featuring Dean, but also of the Lo-Fi Jazzy track  (DANCE). It’s worth noting that with gold they earned the title of R&B Track of the Year from the Korean Hip-Hop Awards 2018!

Four day after, so the 28th July , the MV of Good2me featuring PUNCHNELLO is released, then in August, the 7, the one of Moon, 12:04am.

The other are released in 2018.

MISO and Tablo collaboration had an MV release on February 6, 2018, and it’s  worth paying a special attention to Tablo’s verse on Cigarette, truly beautiful:

“She’s got the dance floor hella lit
Then she steps out for a cigarette
And I’ve been prayin’ all night like God
She gives life to my world with a ‘Can I get a light”
Ignite a match. She leans on to catch it
We’re the only spark in the dark like a chandelier
With no ceiling but the sky
As the smoke from her lips bleeds into the atmosphere
No ashes here, no dust
This moment is forever
Even though each puff will take us further from together
She’ll have me until the very last drag
Come to think of it live is like a cigarette
Burning at the tip of it, but quick to burn out
Like a cigarette, it may get you sick
But you’ll never get sick of it
So light one up now”

Finally, the last MV is for homeless door featuring Rad Museum released on July 24, 2018.

OFFONOFF, a Visual Music

If one had to describe the duo’s music, Visual Music would maybe be the better term.

On that matter, on an Interview for The IconTV, 0Channel explained that it’s actually because they like Visual Music that the fact they joined the CLUBESKIMO has been so obvious. Among other, Dean often use the term Visual Music to talk about is work.

“We like visual type of music so we’re similar in that aspect and our tastes match. We might be working on different music but we have similar thoughts.”

0Channel for The IconTV


This Visual aspect, is first noticeable in 0Channel’s productions. The creaking sound of the wooden floor in homeless door, traffic and siren sounds faraway in moon, 12:04am, the jingling of a falling coin in mind, radio recording extracts in blu. While listening to 0Channel’s productions, quickly the mind wanders, the imagination is aroused; it induces a true visualisation.

But Colde’s Lyrics are also tinged with this will as the narrative side is especially exacerbated in his compositions, and that’s also true for his solo projects.

“I’m looking somewhere to take a deep breath
I’ve been here alone for a few days
Just lie here without anyone
I can feel even a small vibration
Your heart moves deeply”

Colde/OFFONOFF in Homeless door, English translation from the Youtube channel Plaid Shirt Child

“I would always write them out
All my dream in a notebook
I write down all the places I’d like to go
In hopes that it will take me somewhere
Then I place my voice
On top of it all
I don’t know how far it will take me
But to you who’s far far away at this very moment
I hope it finds its way to you
Then I’d continue
To dream just like before
I still can’t love myself
Not right now”

Colde/OFFONOFF in filmroll, English translation from the Youtube channel Yung Mood

“What’s the weather like over there
In my sky at night
In my memories that I always recall
They keep talking to me
When we were together
We laughed so much
Now I have a straight face
Without you what can I say
Why on earth
I can’t explain it
With words that can’t be replaced
What’s your mood
What’s your feeling
Why are you like that to me
Why am I like this”

Colde/OFFONOFF dans Bath, English translation from the Youtube channel Ryan


Finally, OFFONOFF strength, what stands them out and which is even more striking when you listen to Colde’s solo projects, is actually this chemistry between 0Channel and Colde. On his solo projects, Colde has for now worked with Stally, APRO, IOAH, Noden, haventseenyou, Hansen, hoiwave or Kyunghoon Han (more details on his article). And if subjectively speaking, those tracks are truly great, the feeling while listening to them is yet different. Sure, the sought atmospheres are not the same, that’s one thing, but what is really peculiar to OFFONOFF and that you cannot hear – or is not wanted by the other beatmakers – is this dialogue dimension.

Rather than simply accompanying Colde’s voice, 0Channel’s beats are like an answer . It’s like Colde and 0Channel were engaged in a discussion, one with words and the other with his instrumentals, and that’s not that common in the music world.

Lately, the two artists decided to explore new creative sides by working with other artists. Hence, it’s probably going to be interesting to see in what it will influence their common work in the future, in what extent it’s going to enrich their music, more than it’s already the case!




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