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Light – Part 3 of 6

Moving a small flash off camera

So how do we get small camera flash better, well we move it off camera and use a modifier.

This picture here made using a small flash on a stand and a white umbrella, to trigger it I had my other flash on camera but set to remote mode so not actually contributing to the overall exposure.

In this shot we are mixing daylight with flash. This time I have gone up a level from small flash to portable battery studio flash. In this shot I used a Elinchrom Quadra on a lightstand and a shoot through umbrella. The advantage of a portable studio flash solution is that it offers far more power.

When using flash outside there is a problem, and that is power and sync speed. Power is easily solved, buy a more powerful flash unit. Sync speed is more of an issue.

In this particular shot I wanted the daylight underexposed. The flash exposure is controlled by the aperture, this leaves the only option to control the ambient light being the shutter speed. Low end cameras will only sync to 1/60 of a second. Mid range cameras will go to 1/125 to 1/180 and higher end cameras to 1/250. A high end professional studio medium format camera will sync up to about 1/2000 or some 1/8000 of a second but these cost tens of thousand of pounds.