quote by Diane Arbus


— Diane Arbus

Mind-blowing Diane quotations

We always reminisce about how everyone tried to get Diane Lane's attention, to very little success.

I'm always the one on the carpet that will be wearing something that nobody else will pick from the collection. I feel like I have some style soul sisters out there, like Diane Kruger and Zoe Saldana, they feel very much kindred spirits when it comes to style.


In an era when museum curators were busy introducing the public to photographs of daily life taken by Robert Frank, Henri Cartier-Bresson, and Diane Arbus, why did they simultaneously disdain paintings depicting the same kind of people?

I was so honored when Diane Sawyer named me "Person of the Week," and like I told her, "Diane, I love my daughter." I cried when I found out when she told me she was gay when she was 17 because of the judgment.


And of course to work with Jack Nicholson and Diane Keaton, and work with a wonderful, beautiful script directed by Nancy Meyers, it was really for me a dream come true.

The key to sitcom success is miserable people.

If you see a happy couple, it's just gone, like when Sam and Diane got together on Cheers.

My role as the chair of the fashion department at Parsons put me face to face with all the big designers, retailers, and editors. Since I was moving in these new circles regularly, I realized I needed to do something about my own personal style. It was really Diane von Furstenberg who gave me the nudge.

I actually taught perceptual psychology at N.

Y.U. when I was younger. I was interested in the aesthetic impulse in lower primates. But what really interested me in Dian Fossey was that she made a difference - she saved the gorillas.

What first caught my eye about Rihanna was an interview she did with Diane Sawyer after the Chris Brown incident, where she was very articulate, very poised, obviously a smart girl who talked about a very traumatic experience.

If Diane Modahl was 40 times over the testosterone limit she'd have a deep voice and we'd all be calling her Barry White.


So I decided to form a production company with my wife and our partner Diane.

Diane Keaton is good for women in and of herself. She's smart and funny and real.

I spent a lot of time on Diane Arbus film, not only writing it, but running around talking through various production issues. All this crud, and then it didn't happen. There's a lot of time-wasting stuff that happens in life with movies.

Producer Ed Pressman had a book about Diane Arbus - it's the only biography that exists - and there had been many Diane Arbus scripts. Many. I don't even know how many over the years. And it's sort of a cursed project, for lots of reasons. There's probably some pile somewhere of all these weird attempts, all these portraitures that can't get made.

I won't have a cabinet as a President;


I'm crazy about Diane Von Furstenberg.

It's a relationship that's very different; I don't see Diane a lot. So when I saw the article in New York magazine she looked so beautiful and it was talking about her work, too. She set up the interview and it was happening. That's different than someone writing a book about you who you've never met.

Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.

Recently, [Diana Wilson] went on a hunger strike to protest Dow Chemical's refusal to accept responsibility for a 1984 chemical disaster in Bhopal, India, caused by a company they now own, Union Carbide. In the past, Diane's hunger strikes had been lonely affairs, but this time friends and co-conspirators from around the country took turns joining her on her flatbed truck under the hot Texas sun, greeting Dow workers as they entered the plant.

What was so moving for [Diane Wilson], and also for me, is that she felt the Bay itself was like her grandmother. She said, "I don't think there's a woman alive who would give up fighting for her child, or her mother, or her grandmother."

What gave her [Diane Wilson] the courage? If you look at someone like Diane, it's easy to say, well I could never be like that. But we don't know. We do know that it's possible for a woman, who didn't grow up as a world changer, to find it in herself to take a stand.

Diane Wilson asked, "Why aren't people upset? Why aren't people protesting?" The mayor and county commissioners told her to keep quiet, and everybody else was afraid to speak out against the companies, which included some of the country's biggest chemical companies. There were even attempts on her life. Family members abandoned her, and certainly none of the other shrimpers stood with her.

There are days when everyone in the world looks like a Diane Arbus to me.

She's a genius but her work is completely different to mine. But on those days I don't use my camera.

Some people know Rosa Parks, they know Daisy Bates in Arkansas, but every.

.. Ruby Doris Smith, Diane Nash, countless individuals.

As an actress, and as a person, I really admire Diane Keaton.

She's feisty, strong, beautiful and talented, and intelligent.

There is another movie I love that always sticks with me and influenced me called "Frankie" starring Diane Kruger as a model past her prime trying to make it work and going crazy from how she is treated.

I'd always admired Diane Keaton, but I'd never met her.

For me it is essential to understand that everyone is alone.

Not in the sense of loneliness, but rather in the sense that no one can completely understand someone else. I know very well what Diane Arbus means when she says that one cannot crawl into someone else's skin, but there is always an urge to do so anyway. I want to awaken definite sympathies for the person I have photographed.

Take 'Jack and Diane.' I was so disgusted with people thinking the line 'Hold on to sixteen as long as you can' meant to stay a teenager forever. What I meant was keep doing whatever makes you feel alive.

I love being on camera. And I love knowing what's going on in the world. Diane Sawyer is my favorite. She never seems to lower herself to get the job done. She just always carries herself well. I really admire her.

Diane Arbus is one of the most mysterious, enigmatic, and frighteningly daring artists of the 20th century. Her work emerged from a deeply private place and profoundly affected all those who came into contact with it.


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