EXIT Ramps

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It was quite a scene at the Joyce Theater the other night for the premiere of Keigwin + Company's EXIT. Most of the audience members actually appeared to be alive and looked as if they would survive the next frost, which isn't always the case. I remember one matinee I went to of a Sarah Ruhl play that was like a meeting of the Agnes Moorehead Fan Club.

But that's neither here nor there.

Back to Tuesday night:

Sexy audience, sexy show, and probably a sexy party afterwards, which is how it should be below 23rd Street, and above too.

Oberon's Grove has a review, with lots of photos.

Tonya Plank has one too, ditto with the photos.

And there's a piercing postscript to Tonya's report.

PS: DAMN! I just re-read my “review” of Keigwin Kabaret written almost four years ago now. What a horribly boring writer I’ve become! I don’t know what happened. I think it’s because critics started linking to me and I started feeling like I had to sound professional. Or maybe it’s that I got old. Or maybe that I stopped dancing myself. Anyway, I’ve become a horrendous bore! I’m sorry!

Tonya, don't be sorry! You're not a bore! Don't be bagging on yourself! It's been a long, wearying winter, spring hasn't started yet, and we're all on a metabolic downswing, feeling the blahs and awaiting sun and warmth and a sense of resurgence. This is why I'm heading for the tanning salon and getting ready to break out my Hawaiian shirts!