In Walter Benjamin’s understanding, the use of allegory is typical of Baroque Art: Man acknowledges his guilty passion for this world in the moment of its decay.

How can we break the ahistoric informatic screens in the laboratories and camps of this world that take away the eyes and parts of the bodies today as we‘re governed by opaque oceans of data?

It is necessary to promote and ensure the democratic “distribution of the sensible”.

Under post-Fordist conditions, the capitalisation of the immaterial work has managed to be integrated into artistic labour.

The precarious and the immune are no longer only in a relation of opposites in post-Fordist societies, but rather more and more also in a relation of overlapping, tending, in fact, to become indistinguishable.

Problematizing Rubens’ Winter

Precarious body/images

Je sais, mais quand même

Haven’t We Always Been Precarious?

Governmental Precarization


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