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The Life of Meresamun, A Temple Singer in Ancient Egypt: An Exhibition at the Oriental Institute Museum, University of Chicago

Meresamun exhibit, Dr. Teeter emphasizes, is not a mummy exhibit; the objects were chosen to highlight the daily activities in which an elite woman such as Meresamun would have engaged. Thus, the exhibit has two major goals: to highlight for the audience the legal and social positions of ancient Egyptian women and the ways in which women participated in professional and religious life through the use of music in rituals. The twin goals of this exhibit are clearly delineated in its spatial layout. As one approaches the gallery, one gets tantalizing glimpses of the jewel-like colors of Meresamun's cartonnage through sheer screens that demarcate the exhibition space. This gleaming case with its vividly colored religious imagery occupies the front of the room. It is flanked by two wall-text panels, which provide background information on Thebes around 800 B.C.E., and Meresamun and her activities in the temple and home. From this point on, the viewer could choose to turn either right, towards the vitrines displaying objects of the temple realm, or left, where