{'fraction_non_alphanumeric': 0.01947261663286004, 'fraction_numerical': 0.0, 'mean_word_length': 5.134328358208955, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Representation of the experience of Ukrainian women-soldiers in books about the war in the East of Ukraine (on the material of the collections “Divchata zrizayut kosi” Ye. Podobnoyi аnd “Zhinka vijni”A. Shili)

The relevance of the research is that contemporary Ukrainian documentary is characterized by various forms of representation of reality. Most books about the war in Eastern Ukraine focus on the image of a military man. The collection selected for analysis is a unique phenomenon of modern warfare documentary, as the stories of the military experience of women servicemen are represented. It is important to determine from which position the author demonstrates the events. We did research on documentaries in which the author participated in the events. And they found that the subjective impressions of the authors involved in the events of the war are characterized by a certain community — all the authors have survived the war and for all the major associations for the war are «victims» and «death», so the individual worlds of each author form an intersubjective world. Now for analysis we have selected collections of event observers who interviewed direct participants. They noted that the authors are professional communicators and appeal to the emotions of the audience through the representation of women’s stories in order to influence and form public opinion about the phenomenon of war. Methods of analysis, synthesis, and sampling were used for the study (paying attention to the use of the concepts of «war», «fear», «enemy»). The study presents an analysis of Ukrainian documentaries on the war in Eastern Ukraine, focusing in particular on the representation of the phenomenon of war through the transmission of memories of female servicemen who became the heroines of the collections. The leading author communication strategies in the analyzed books are identified. Attention is drawn to the fact that the authors enable the heroines to tell their own stories, to speak to the audience, and the use of the selfnarrative in organizing the narrative is characteristic. Collections are characterized by an appeal to the feelings of heroines, that is, collections have become a place for their reflections and experiences of the culminating moments under reconstruction of events. The results obtained suggest that authors from different positions focus on different opinions and perceptions of war in order to achieve different effects.