{'fraction_non_alphanumeric': 0.04333868378812199, 'fraction_numerical': 0.01765650080256822, 'mean_word_length': 5.36734693877551, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
From Gutenberg to Google: Electronic Representations of Literary Texts

Preface 1. Manuscript, book, and text in the twenty-first century 2. Complexity, endurance, accessibility, beauty, sophistication, and scholarship 3. Script act theory 4. An electronic infrastructure for script acts 5. Victorian fiction: shapes shaping reading 6. The dank cellar of electronic texts 7. Negotiating conflicting aims in textual scholarship 8. Hagiolatry, cultural engineering, monument building, and other functions of scholarly editing 9. The aesthetic object: 'the subject of our mirth' 10. Ignorance in literary studies Bibliography.