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Architecture for Music : Sonorous Spaces in Sacred Buildings in Renaissance and Baroque Rome

Architectural spaces are usually considered only in their visual and threedimensional
 character. However, the proper experience of space is multisensory.
 Sonority is undoubtedly the non-visual characteristic that most affects architecture,
 influencing its three-dimensional shape, and the size and distribution of its
 individual parts. Early modern sacred architecture is a case in point. Focusing
 on Rome and the development of architecture in relation to musical practices,
 this article demonstrates how architectural forms evolved through a process that
 ranged from provisional installations to the design of entirely new churches and
 oratories. In the Baroque period, these religious structures were conceived as
 synaesthetic spaces of sonority and architecture, in which vision, hearing and
 liturgical acts merged in an expressive unity.