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Humour and the super-ego: A case study of Paul Muldoon’s poetry

This article focuses on the workings of ‘humour’, a phenomenon that is often neglected in Freudian readings of literature, and also (perhaps relatedly) in the analysis of work with patients. Challenging views that the details of humour are best left uninterpreted, it explores how they can provide a mode of access to what is important. In particular, it focuses on the idea of Galgenhumor (literally ‘gallows humour’) in Northern Irish verse. The Ulster poet Paul Muldoon provides a ‘case study’ of someone using considerable humour while facing political atrocities. I aim to show that Muldoon can be viewed as a useful chronicler of ‘the Troubles’ and that a Freudian view of his humour can help readers to appreciate his significance. The method of the article is to interpret some of Muldoon’s verse by applying Freudian theory, working on the basis that poetry can sometimes achieve its effects in ways that are obscured to both the reader and the poet. I have not set out to psychoanalyze Paul Muldoon through a reading of his poems, but rather to stage a discussion of ways that humour can work, making use of Freud’s theories about the unconscious, especially his writings on humour. I examine how humour can create an outlet for affect while simultaneously assisting its repression, and also how it can leave memorable traces of traumatic experience, making it easier for the experience to become available for retrospective examination and exploration.