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LABYRINTHS, LIMINALITY AND EKPHRASIS: THE GRAPHICAL IMPETUS IN THE MUSIC OF KENNETH HESKETH

Abstract This article is an introduction to the graphical impetus in the music of Kenneth Hesketh (b. 1968), from around 2012 to the present day, including his recent work, Viae (2020). Through examination of Hesketh's graphical control of a number of musical parameters, the article will demonstrate that the idea of a ‘musical ekphrasis’ can be extended through the incorporation of spatial aspects in determinate music to result in what the author deems a graphical ekphrasis. Whilst in no way exhaustive in its exploration of Hesketh's multi-parametric approach to composition, the article provides an analysis of selected compositional methodologies relating to both composition design and audience communication, situating them alongside other contemporary musical examples and trends.