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Riotous Needlework: Gendered Pedagogy and a Negotiated Christian Aesthetic in the American Ceylon Mission

Not unlike many parts of South Asia, foot-pedal-powered Singer sewing machines are ubiquitous in Sri Lanka’s Jaffna Peninsula, as much an inheritance of missionary and colonial domestic education as an implication of the island’s recent war. The social history of sewing and other needle arts extends deep into the Peninsula’s early modern history, at least as far back as the Portuguese period. At the centre of this article sit a circle of young Tamil embroidering women who, in the mid-1840s, helped transform what it meant to be a modern Jaffna Tamil woman. This article reads the samplers of this set, the Oodooville Group, as source material into the pedagogical and devotional worlds in which they lived. The article argues that the works, each characterised by a riot of colour, constitute an experiment in mission pedagogy revealing an encounter and momentary negotiation of both aesthetics and devotion between missionaries and the students they sought to convert.