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Self‐constructed exoticism: gender and Nation in Hōrōki by Hayashi Fumiko

This paper is a reading of Hōrōki (1928–30) by Hayashi Fumiko (1903–1951). The analysis demonstrates how the marginal status of the female protagonist is used as a literary device to create a challenging gendered critique of Japanese urban culture in the early 20th century. The paper discusses how the work reflects concepts of a ‘hybrid’ national identity as defined by Homi Bhabha, and highlights the links between gender and national identity using the concept of the exotic in relation to Alcoff’s concept of gender as positionality. It focuses in particular on the structure of the work, bringing out the idea that by using a disjointed narrative and a fragmented telling of the self, Hayashi Fumiko evokes ideas of the self in relation to the nation that are both unstable and destabilising, thus creating a revolutionary and anarchistic view of Japanese culture; the fluidity and hybridity of the nation are reflected in the fluid and hybrid nature of the work itself.