{'fraction_non_alphanumeric': 0.028070175438596492, 'fraction_numerical': 0.0, 'mean_word_length': 4.947916666666667, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Vínculos entre el arte y el acto moral. Una revisión de las nociones de lo bueno y lo bello en Kant.

Censorship of art implies the connection between Ethics and Aesthethics: different kind of valuations and orientations in artistic work, such as censorship as well as compliment, enlightens usual phenomena concerning autonomy, valuation, volition, abstraction and assimilation conditions of it. Therefore, our aim is to explore some fundamental Kantian features between morals and arts concerning the judgment, as well as its results (i.e. piece of art and moral act).