{'fraction_non_alphanumeric': 0.019867549668874173, 'fraction_numerical': 0.0, 'mean_word_length': 6.0, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
On Exhibiting Global Television: the Business and Cultural Functions of Global Television Fairs

Global television programming fairs (MIP-TV, MIPCOM, NATPE) have received little attention from media scholars. Nevertheless, as this article demonstrates, these fairs serve a variety of crucial business and cultural functions in international television trade. Although they have come under fire recently from executives and industry observers alike, this article argues that such fairs are semi-permanent features of the international syndication industry. As such, they warrant more serious consideration by media scholars from numerous disciplinary backgrounds who hope to understand both the economic and cultural operations of television globalization.