{'fraction_non_alphanumeric': 0.028409090909090908, 'fraction_numerical': 0.015151515151515152, 'mean_word_length': 5.011363636363637, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
A Note: Yinka Shonibare: Dress Tells the Woman's Story

Yinka Shonibare’s Five Under/Garments (1992) and How Does A Girl Like You Get To Be A Girl Like You (1995) illustrate the ways in which contemporary artists have used clothes within their work as vehicles to explore narratives of desire and memory and to reflect on the processes of colonial commodity production. A number of themes emerge within Shonibare’s work: revealing and concealing; the body in pain; and counternarratives to the hegemonic discourses of modernity.