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Much Ado about Nothing (review)

Yet the closing image reverted to uncertainty and darkness: Helena and Bertram came together, joined hands, looked at each other uneasily, and then looked away. The lights narrowed to focus on them, blotting out the rest of the stage, and then faded to black. Thus Elliott presented the play’s complexities to the last moment, undercutting comic closure, suggesting that the bonds between women were of more value than male-female relationships, and revealing the tragic heart of Shakespeare’s difficult romance.