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Genre analysis of the text in the context of structure and composition of Shakir Selim’s literary work “About Shamil Alyadin, Charyks and the Pocket Knife”


 The relevance of this article is substantiated by scantiness of research dedicated to genre analysis of the text in the context of structure and composition in Crimean Tatar literature as a whole and on the example of Shakir Selim’s work “About Shamil Alyadin, Charyks and the Pocket Knife” in particular. The subject of this study is the genre analysis of the text in the context of structure and composition on the example of the indicated literary work. The goal consists in the analysis of relations between various literary-publicistic genres in the context of structure and composition of the text, rather than in the attempt to determine any specific genre and its characteristics in the literary work. The author concludes on the “ambivalent” hybrid genre form of truly emotional evocative essay with a pronounced expressiveness and literary-criticism article, and strong logical methodology. The text also contains the latent genre forms of monologue, distance dialogue, or discussion. The author begins if not a direct then reflexive dialogue with the heroes and the audience. The synthesis and interaction of different genres forms the uniqueness of the literary work, drawing attention of the reader to the ethics of literary art. The unifying genre of the work is spiritual-intellectual prose. The analysis of structural and compositional peculiarities of the literary work revealed the important, although not absolute, criteria for establishing interrelation between cognate genres, which in turn allowed identifying the main and auxiliary genre forms of the studied text.
