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The Return to the Origin: Heidegger's Journey to Greece

The literature of travel abounds in descriptions—ecstatic, enthusiastic, lukewarm, perplexed, disappointed, sometimes downright cantankerous—of voyagers' impressions of the places, monuments, and artworks of the Italian Renaissance and classical antiquity. From the splenetic Scottish novelist Tobias Smollett (1721–1771), whose disappointment at all things foreign (and generally unpleasant) began at Boulogne, to the awe Johann Wolfgang von Goethe (1749–1832) evinced on seeing Rome in 1786 after long years of anticipation, travelers without number attest to the travails of the journey to distant lands and to the experience of the encounter once there.1