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Raising Lilies: Ruskin and Women

John Ruskin, art and social critic, master of English prose, is one of the most infuriating yet attractive Victorian figures. In the last twenty years, a revival of interest in his work after years of neglect has stimulated a considerable body of scholarly analysis and several biographies. As Ruskin himself would have hoped, historians have been most interested in his trenchant attacks on the assumptions and effects of nineteenth-century political economy, but paradoxically he appears in women's history only as the author of “Of Queens' Gardens,” promoting a fundamental Victorian paradigm, the ideology of pure womanhood. Yet the anthologized excerpts which are all most people read of Ruskin do not do justice even to “Of Queens' Gardens,” an admittedly cloying piece, and although biographers have analyzed his tortured relationships with Effie Gray and Rose La Touche almost to the point of tedium, there is no extended general study of his many relationships with women and the expectations he had of them. An adequate analysis of Ruskin's view of women requires familiarity with all his works, an understanding of his fears for the state of England, and a greater knowledge of his relationships with women than provided by the lurid details of his failed marriage and predilection for adolescent girls. The following is an attempt to sketch an outline of such an account.