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Echoes of Roar, China! On Vision and Voice in Modern Chinese Art

First published in the December 1935 issue of Modern Prints, journal of the Modern Prints Society based in Guangzhou, the black-and-white woodblock print Roar, China! (fig. 1) by Li Hua (1907 – 94) was subsequently displayed in the Second National Traveling Woodcut Exhibition that opened at the Sun Yat-sen Municipal Library of Guangzhou on July 5, 1936. From there, the exhibition traveled to several cities in southeastern China and arrived in Shanghai by the beginning of October. After its week-long stop in Shanghai, local organizers took turns arranging for the exhibition to visit more cities and townships in the following months, thereby presenting this print as well as some six hundred other contemporary woodcuts to hundreds of thousands of viewers across the country. True to the vision and commitment of the woodcut movement that had emerged since the early 1930s, this Second National Exhibition brought to