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Hartmann′s aesthetics of the sublime in arts

The text discusses the place of the sublime in the organization of the strata
 of arts, the phenomenon on periphery of the sublime and phenomenon in
 opposition to the sublime. The result of the research is that beauty in a
 broader aesthetic sense is not only formally and indifferently superior to
 the sublime and other main aesthetic categories, but that the sublime
 together with opposite phenomenon of charming limits the aesthetic dimension
 within which artistically formed beauty appears in an aesthetically narrower
 meaning.