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The Civilizing Machine: A Cultural History of the Mexican Railroads, 1876–1910 by Michael Matthews (review)

From its vantage point at a public institution in the border region, this book also offers insight into the complex circulation of "border art" within global art worlds. By the mid 2000s when Bonansinga assumed her position as director of the Rubin, the heady arts initiatives of the early NAFTA years, such as the inSITE exhibitions held in San Diego/Tijuana between 1992 and 2005, had ceded to smaller-scale, somber projects that bore witness to current events such as post-9/11 border enforcement, narco-violence, the feminicidio, and environmental degradation.