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Lulu: A Monster Tragedy (review)

The play’s storyline follows Lulu’s journey on Earth from the slums to high society and back in a five-act structure. Wedekind, however, subverts the convention by making each act a disconnected episode. In act 4, for instance, most of the dialogue is in French (since the act is set in Paris), while the of demonstrated reaction might have been an oversight as he concentrates on his own character, or it might have been a purposeful interpretation in Bali, where fatalism is part of the religious makeup. Jocasta’s death is not mentioned, and the gouging, a bloodless affair, quickly brings the play to a close.