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Rising Star: Dandyism, Gender, and Performance in the Fin de Siecle (review)

327 Jolas makes it quite clear that he cherished a romantic literary canon, especially a German romanticism, which inspired his early poetry and helped him interpret the mythopoetic aspects of modernism. This surely speaks for the continuity between the two movements. Yet he would also read the catastrophe of National Socialism as an expression of an overly romantic German culture. By 1945, he was forced to recognize the political risks in his canon: