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Formative Processes of Durational Projection in “Free Rhythm” World Music

This paper considers how Christopher Hasty’s concept of durational projection can contribute to an analytical understanding of a variety of “free rhythm” world music, highlighted by Clayton, Frigyesi, Wolf, Widdess, and others. Durational reproduction can be heard even in the absence of regular pulse streams, entrainment, or oscillating waves of attention. It is afforded by even the shortest, most irregular successions of events, and a large variety of temporal sensations can be attributed simply to it.