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Painting against Time: Spectatorship and Visual Entanglement in the Anagni Crypt

Abstract The all-embracive frescoes in the crypt of Anagni Cathedral required viewers to practice multisensory forms of beholding that combined bodily movements with sight, memory, and intellect. The crypt’s viewing conditions generated distinct relationships of interdependency between paintings and beholders, which were thematically reflected in the mural’s complex visual program, whose representations of medical, astrological, and cosmological theory stressed the connectedness of all things. The monument’s thematic focus and spectatorial demands worked jointly to stimulate viewers to reflect on humankind’s material and temporal entanglement vis-à-vis the compensatory potential of astrology and medicine.