{'fraction_non_alphanumeric': 0.04452054794520548, 'fraction_numerical': 0.0273972602739726, 'mean_word_length': 4.909090909090909, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Annie Romein-Verschoor et son Miroir de femmes

The communist and feminist world view of Annie Romein-Verschoor (1895-1978) has left its mark on her extensive critical work. In her PhD thesis Vrouwenspiegel. De Nederlandse romanschrijfster na 1880 (“Women’s mirror. The Dutch female novelist from 1880 to the present”) she wonders in which respects “the class character of literature expressed itself, in which images, forms of style, and prototypes, or in which built-in moral”. She describes her method as “literary-sociological”. This article will analyze the extent of her claims.