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Hallucination and Point of View in La Tentation de saint Antoine

Over the past twenty-five years, as readings of Flaubert's texts have become increasingly concerned with the definition of various narrative structures, the study of point of view has been inextricably tied to determining how his nar ratives generate (or, to some minds, subvert) meaning.2 Thus it is that almost all hermeneutical approaches have been concerned with point of view in one way or another, the procedure usually being to establish the principal or authoritative narrational axis (or perhaps a pseudo-authoritative one) and then to plot and analyze the departures from it. Point of view is not a new concern, of course, and has occupied readers of Flaubert for as long as there have been studies on style indirect Ubre and irony. Nor does this question originate in critical debate; Flaubert's manuscripts show him aware of changes in perspec tive.3 Despite the excellent and numerous analyses of this topic already in print, we need to take a further look at point of view in La Tentation de saint An toine. The reason is simply (and perhaps not surprisingly) that the preoccupa tion in Flaubert studies with structure is with narrative structure and that this