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German Expressionist Theatre: The Actor and the Stage. By David F. Kuhns. New York: Cambridge University Press, 1997. pp. 311. $64.95 hardcover.

Meyerhold's artistic relationship with Pushkin forms the focus of the fourth segment. Although he never presented a finished production of the seminal Boris Godunov to the public, he did rehearse it intensively on two separate occasions ten years apart. The writing of some of the actors associated with these rehearsals and Meyerhold's own notes (the most extensive in the book) clearly demonstrate his dynamism, thoughtfulness, and passion. Moreover, the continuity and conflict between generations, so important in Meyerhold's own life, appears magnified and analyzed quite thoroughly.