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Georgia O'Keeffe's "Radiator Building": Gender, Sexuality, Modernism, and Urban Imagery

The tensions manifest in the marriage of Georgia O'Keeffe and Alfred Stieglitz contributed to the meanings of The Radiator Building, which she used as an arena to counter the interpretations of her art as being highly sexualized. O'Keeffe appropriated ideas from the Freudian mode of psychoanalysis adopted by her husband and others-who interpreted her work as embodying the female principle-as a means of turning the tables and criticizing their comments on their own terms. Through the format of the emblematic portrait in The Radiator Building, O'Keeffe both authorized Stieglitz and then detached that authority through a process of abstraction.