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Reading Hemingway’s A Farewell to Arms: glossary and commentary

interpretations of those needs and how they sold them to the public. Linder offers analysis of the material with a less academic tone. Her analysis of the 1915 German poster In Deo Gratia draws connections between the poster, German nationalism, and nineteenth-century ideals of medievalism, highlighting comparisons with the Grimm brothers’ fairy tales and medieval German classics such as Tristan and Isolde (p. 31). With a focus on English-, Frenchand German-language examples, the book leaves opportunities for others to contribute similar studies of posters from other combatants such as the Baltic States, Russia or Japan.