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From three Ottoman gates to three Serbian sites of memory: The performative rewriting of Belgrade from 1878 until today

ABSTRACT This essay analyses how three entrances to Ottoman-era Belgrade have been reconstructed since 1878. It demonstrates how the rewriting of these places entailed silencing the Ottoman past and constructing sites of Serbian national memory. By examining city space as a palimpsest, it shows how a new national narrative has been written in relation to earlier Ottoman space, thus making the national narrative a mediator of the memory of the seemingly erased Ottoman past.