{'fraction_non_alphanumeric': 0.012779552715654952, 'fraction_numerical': 0.0, 'mean_word_length': 5.028846153846154, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
The Musical Taste of Young People

Data from a longitudinal survey of the musical tastes of young people distinguish five basic vectors of its development: an orientation toward the Western paradigm; young people's unlimited amount of time spent in the consumption of music; the indiscriminate nature of their music interests; the influence that a person's membership in a particular social group has on his reception of music; and the presence of a deep gap between the level of development of the concept of taste in the scientific literature and its current state in the practice of the aesthetic education of young people.