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PRECARIOUS CITIZENSHIP: SOCIAL ABSENCE VERSUS PERFORMATIVE PRESENCE OF NACHNI

“Nachni” women from the eastern part of India, are popularly known in parts of Bengal, Bihar and Jharkhand as marginal performers who earn their living through a performing partnership with the Rasik (the male partner) while remaining in a fragile, yet domestic quasi- conjugal alliance with him. In research and popular writings, these women have been seen as the exploited, marginalised, and socially maligned practitioners. In the current research the signification of the social/cultural presence of the Nachni woman is sought in her performance and the communications that she creates through with her accompanists, audience and the larger society. This paper focuses on the social and the performative spaces that the Nachni inhabits, and the duality of the reception of her social self vis a vis her body. This duality of reception also brings to the fore, the need to theorise commoditisation of the woman’s body where the body, so long as it is seen as a product, and therefore a consumable, is not a threat, unlike the threatening polluting capability of a social presence of the owner of that very same body.