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A morte no filme “Ventos de agosto”

In this article we operate a film analysis of the Brazilian feature film “Ventos de Agosto” – “August Winds” (2014), by director Gabriel Mascaro, in which it is possible to observe the dimension of death as a dialogical issue of the film, allowing us to treat, from the presence of the dead body, the social uses of the body. Thus, although its power is the aesthetic dimension, the film narrative allows us to reflect, anthropologically, on the body institutionalized by the provisions of Law and Medicine, making explicit the governance of bodies (alive and dead) for their political uses.