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Untangling the oxymoron of repetition of the unrepeatable in dance improvisation

The article explores repetition and the unrepeatability of the dance event using the example of Steve Paxton’s improvisations on Goldberg Variations, referred to by Jurij Konjar’s exploration of the thinkable body and Spångberg’s ‘Deleuzian bastardy’.
 Similarly, Jonathan Burrows and Jan Ritsema also look for the stuttering of dance language while also trying to avoid their own constraints.