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Holography and Art in a Research Laboratory: A Retrospective

The authors’ laboratory in Besançon has been conducting research in holography since 1965. In 1976, it produced the largest holograms being made at that time; as a result, the laboratory became well known around the world, and many requests from artists interested in this new means of expression were received. In 1978, the laboratory developed a new technique allowing the recording of animated portraits by a pulsed laser. The application dealt with repetitive sequences of animated holography. Focusing on the laboratory’s experiences with advertising and art from 1975 to 1982, the authors describe successful collaborations with three different artists.