{'fraction_non_alphanumeric': 0.029511918274687854, 'fraction_numerical': 0.0056753688989784334, 'mean_word_length': 5.485294117647059, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Metaphase sound machine 2015

Russian artist Dmitry Morozov's Metaphase Sound Machine plays off of our increasing dependence on the information and electronic noise that permeates our everyday lives. The project is based on the ideas of American physicist Nick Herbert, who created the Metaphase Typewriter---invented as a quantum device capable of communicating with ghosts---and Quantum Megaphone, a speech synthesis machine [5]. According to Morozov, Herbert's interests also included the mixing of hallucinogenic drugs, paranormal activity, the nature of consciousness, and speculative connections. These early interests contributed to Herbert's desire to design a quantum computer, but they did not confirm any theoretical research. Morozov's piece was inspired by Herbert's work, especially in relation to the amalgam of devices and networks that permeate our daily routines.