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Phantoms of modernity: the 1894 anarchist furor in the making of modern Guatemala City

ABSTRACT Following a spate of anarchist bombings and assassinations in Europe, the gente decente of Guatemala City began to describe local events using the language of anarchism. The 1894 anarchist furor spoke to two tendencies that had shaped Guatemala City since the 1870s. The first was the cosmopolitan desire of the gente decente. Facilitated by cosmopolitan bridge figures, trends and fashions from Europe and especially Paris shaped the cultural lexicon of Guatemala City's elite. Secondly, the anarchist furor reflected the misgivings of the gente decente toward urban disorder and malcontents as they conflated anarchism and anarchy.