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Interiorization Phenomenon within the Plots of the Fantastic Tales by F. V. Bulgarin (1820–1840s)

The paper focuses on the analyses of the interiorization phenomena in the fantastic (utopian and dystopian) tales by Faddey Bulgarin that he wrote and published between 1825 and 1846. The tales came out in such periodicals as Severnyy archiv, Literturnye zapiski, Syn otechestva. The study of the texts allows to assume that Rus-sian mass literature born within magazine prose was characterized by the interiorization of plots. The latter led to the formation of an adaptive hab-itus entirely assimilated by the Russian cultural and social discourses around the 1830–1840s. The study of the texts by Bulgarin (which in terms of genre can be identified either as journal manifestos or literary works of different genres) indicates his conscious orientation on the reader, the intended involvement of the reader into the literary and would-be-literary life of an artistic word. On the one hand, that could be the echo of the tradition established by the Enlighteners who educated the reader via literary words, thus shaping his or her ethics and esthetics. On the other hand, that could be the reflection of the interiorization phenomenon that is the structural transposition of a text (text structure) into the internal structure of the reader’s mind. We suggest that the interiorization phenomenon and the shaping of the mass literature are interconnected; the adaptive habitus born in the magazine prose in the mid-1820s – the early 1840s determined the energy of mind and the peculiarities of thinking of the mass reader. Despite almost no narrator addressing the reader in the fantastic tales, the reader finds him- or herself indirectly present throughout the texts as an addressee of the interiorization. The discursive strategy adopted by Bulgarin consists of the transformation of the reader’s mind patterns into the adaptive habitus of mass literature.