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A history of Georgian silent film

zooms in on Goran Rebic’s trans-border travelogue Donau, Duna, Dunaj, Dunav, Donarea (2003), while Nicoletta Bazgan’s text is on Romanian director Cristian Mungiu’s early Occident (2002). So many films on migration have been made across Europe in the past two decades, that it seems there is a need to consider introducing a specific new genre within European cinema. In the past decade I have been involved in a number of networks, volumes and conferences dealing with the cinema of migration (most recently in October 2013 in Copenhagen). There is a whole new generation of emerging scholars who commit to working on these issues. It is likely, therefore, that the interest in exploring migratory representations will not subside but will grow further. Given these dynamics, Engelen and Van Heuckelom’s collection has every chance of becoming a reference for future scholarship. It is a pity, therefore, to see it only published in hardback and for Kindle (at the outrageous price of $71.57/£42.63), especially in light of the fact that more and more courses where this excellent volume could be meaningfully used are being taught across subjects like film studies, anthropology, sociology, area studies, European studies and so on. At a price like this, another opportunity to raise awareness and show how the understanding of important social process could be made accessible to students through the examination of popular culture and films is missed.