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Goya: La imagen de la mujer, and : Goya: Images of Women (review)

In its mingling of beauty and atrocity, reason and madness, the art of Francisco Goya (1746–1828) finds particular resonance in our own age. It is not surprising, then, that during the past decade and a half Goya’s art has been put before the museum-going public as never before. These years have witnessed a steady stream of exhibitions on topics such as Goya’s relationship to the Enlightenment; his dialogue with previous and subsequent artists; his portraits, tapestry cartoons, and small-scale works; and his prints and drawings. A recent addition to this list is an exhibition (or exhibitions, as I shall explain shortly) devoted to Goya’s representations of women, mounted at the Museo del Prado in Madrid and the National Gallery in Washington, D.C., to mark the twentieth anniversary of the Fundación Amigos del Museo del Prado.