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Narrative and Drama in the Lyric: Robert Frost's Strategic Withdrawal

Since Pearce assumes that it is actually possible to livefully in the modern world while maintaining one's identity, his assessment of Frost's poesis of retrenchminent is not surprising: "What is gained is a sense of the concrete, particular, bounded 'I' "; "what is lost, the expanse of Frost's greatness: variety and capaciousness."2 Insofar as poetic achievement can be adequately measured in egological terms, Frost may indeed have sacrificed the expansiveness of an Emersonian "heterodoxy of the self"