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Actions that a Man Might Play: Pinter's The Birthday Party

ALTHOUGH HAROLD PINTER has been writing for the theatre for more than fifteen years, his achievement is still very much in question. The reasons for this uncertainty are complex, and to a large extent the complexity stems from the plays themselves: from the carefully contrived ambiguities that refuse to offer ultimate coherence; from the minimal plots, adumbrated characters, and the multiplicity of inferences his dramatic actions excite. Early in his career Pinter acknowledged Kafka and Beckett as the major influences in his treatment of plots and characters. But perhaps even closer in spirit to Pirandello, Pinter exhibits the same contempt for absolute Truth and Reality.