{'fraction_non_alphanumeric': 0.03050397877984085, 'fraction_numerical': 0.0, 'mean_word_length': 4.8984375, 'pattern_counts': {'":': 1, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
between "plot" and "metaphor": ricoeur's poetics applied on the specificity of the poem

so-called &dquo;lyric&dquo; poetry and will introduce into the discussion considerations that certainly pertain to literary history as well as to hermeneutics and poetics. But here it is a task for me, a literary person, to test, for my own special use, the fertile potential of the phenomenological and hermeneutic field that is Paul Ricoeur’s for defining and identifying the major literary genres, even though he favored more often the narrative approach--the history and the metaphor in the widest sense of the word--and has approached only in an oblique and unexpected manner the given facts proper to the internal structure of the lyric poem. This is my major