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From the Sublime to the Devious: Writing the Experimental/Local Pacific

Starting up in Honolulu not so long ago in the downsizing weathers of 1995, the literary journal Tinfish was formed out of a cultural as well as political movement (ongoing in Hawaiai, as in other dispersed sites of local/transnational reimagining) to mix, coalesce, and juxtapose what Susan Schultz, the founding editor and writer in poetics, called in a brief editorial statement ‘‘the two postmodernisms.’’ 1