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Art of resistance: negation, Ojaide and the remaking of the Niger delta

This paper is focused on Tanure Ojaide's poetry as ecocritical art for negating ecological imperialism, which he envisions is one of the major causes of political impasse, ecological malaise and socio-economic dissonance in the Niger delta of Nigeria as well as a fundamental obstacle to its remaking. In order to remake this region for environmental and developmental sustainability, Ojaide's poetics advances the possibility of this through art of resistance, a kind of dissidence poetry couched in ecocriticism that negates ecological imperialism, a capitalist practice that destroys the Niger delta environment. Ecocriticism is a type of aesthetics or artistic representation that considers the nature of the relationship existing between literature and the natural environment. The central idea of this paper is that Ojaide's ecocritical poetry is premised on questioning as well as negating imperialist operations in the Niger delta, where the activities of the multinationals in partnership with Nigeria's political class have left a ledger of destruction, deprivation and violence. Thus, in Ojaide's contention, since art is a refraction of realities in human world, it could be a potent instrument in remaking Nigeria for sustainable development through the insights and possibilities that it offers.