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A Long Embrace: Dance, Art, History

© 2014 Performing Arts Journal, Inc. doi:10.1162/PAJJ_r_00226 The critical convergence of dance, art, and history entertain varied sites of practice and inquiry. These branches circulated widely. Dance historiography sources documentary evidence from the visual archive: prints and illustrations, notation, film, video, or digital media. Imagery pouring forth into the modern era inflects both public consumption and artists’ intake of dancers and styles populating the ballet, music halls, theatres, cabarets, and modernist vocabularies. Decades of critical dance studies continue to reroute theories of embodiment and multidisciplinary perspectives. Garnering attention since the 1950s, body-based events have exploded in the twenty-first century with live art A Long EmbrAcE Dance, Art, History