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Kathakali Dance-Drama: Where Gods and Demons Come to Play

meeting this complex challenge. (There were also Music and Drama Panels. All were organized by the American National Theater and Academy, ANTA, a professional administrative agency contracted by the government.) Disagreements occurred within the Dance Panel, especially regarding when and where to send abroad more avant-garde choreographers such as Merce Cunningham. The fear that the international community would not fully understand this work, with its minimal narrative and strong technical emphasis, may actually reveal more about the Dance Panel’s impressions about other cultures’ sophistication than about their assessments of the dancers themselves. The Panel’s gradual warming to Cunningham also highlights how impressions of what constitutes the finest of American dance art developed and changed between 1954 and 1963.