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“Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America

The collaborative monograph “‘Notes from Underground’ by F.M. Dostoevsky in the Culture of Europe and America” is devoted to poorly studied aspects of the Western perception of the novella. Russian, European and American authors analyze the translations of “Notes from Underground” into European languages, as well as its philosophical, literary, critical, theatrical and cinematic reception. The Appendix contains the previously unpublished text of the world’s first theatrical production of the story, “The Underground Spirit” (“L’Esprit souterrain”, 1912) by H.-R. Lenormand (in French and Russian), archival materials by M. Unamuno and J. Puig i Ferreter, prefaces to early translations, etc. The publication is accompanied by a bibliography of translations and reception of the novella in Europe and America.