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Heaven, Hell, and Everything in Between. Murals of the Colonial Andes by Ananda Cohen Suarez (review)

Approximately twenty years ago the latest books regarding the Hispanic colonial mural painting in the Andean context were published: two in Peru in 1993 and a third one in Bolivia in 1998. These books treated the subject matter in general terms, and their contributions were the first writings and considerations on Andean colonial mural painting. In the last two ensuing decades, scholars have written some interesting articles to understand better this important artistic heritage, thus bringing new perspectives as well as unveiling unknown groups of mural paintings. However, no one had undertaken the task of synthesizing the scholarship’s progress on the topic and make it available to a wider audience. Ananda Cohen Suarez’s book has come to fill this lacuna. In addition, it is the first book in English on the subject, which will allow a wider readership and ampler knowledge about this peculiar world of forms and colors produced between the sixteenth and eighteenth centuries in the Andes.