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A Developmental Stemma for Drafts and Revisions of Tennessee Williams's "Camino Real"

Tennessee Williams wrote compulsively, typing at great speed, then revising with pencil on the many working carbons he made for each draft. For over forty years he spent five to six hours at his typewriter every morning, no matter where he was, partly as therapy — he said only his writing saved him from a mental breakdown like that of his sister. Rose — but also as the one consistency in his otherwise anarchic life. He worked by the intuitive "feel" of a scene rather than from a plan or outline, constantly fidgeting with small changes of wording but, more characteristically, rewriting in larger units of who1e scenes or acts.