{'fraction_non_alphanumeric': 0.030742954739538857, 'fraction_numerical': 0.017079419299743808, 'mean_word_length': 5.77456647398844, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Representações do passado traumático em obras de Roberto Drummond e Bernardo Kucinski

The Brazilian civil-military dictatorship was revisited by many contemporary novelists, being the literature of that period considered as a form of "dictatorship file" (Figueiredo 2017). The writers Roberto Drummond, in Hitler manda lembranças (1984), and Bernardo Kucinski, in K.Relato de uma busca (2011), put on stage characters who, inserted in the dictatorial period, are tormented by memories of The Second World War. As in an untraceable puzzle, the memory of the Jews persecution during Nazism re-emerges by establishing connections with the military regime in Brazil. Self-fiction or pastiche-like, the two novels propose particular analogies between non-competitive memories and possible traumatic intersections (Rothberg 2018). The narratives’ testimonial character also allows to establish relations between an exogenous past (the immigrant’s) and the national memory. The traumatic past fictionalization seems to contribute to the building of relations between different historical moments and the transference of an intergenerational and affiliative memory (Hirsch 2012)