{'fraction_non_alphanumeric': 0.024350649350649352, 'fraction_numerical': 0.00487012987012987, 'mean_word_length': 4.990291262135922, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Recent work around Modalys and Modal Synthesis

The originality and flexibility of the physical modelling synthesizer 
Modalys is being continously validated by an ever-growing community
of users made up by composers, acousticians and musicologists alike.
In this paper we will present the main lines that have oriented 
recent research around Modalys. These can be summarized: (1) 
Exploration and tentative classification of the musical possibilities 
of Modalys. (2) Use of modal synthesis as a meeting point between
signal synthesis and physical modelling synthesis. (3) Port of 
Modalys to a real-time platform.