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An emerging local musical voice at Grahamstown Anglican Cathedral: experiments in localisation

ABSTRACT This article is an introduction to and analysis of experiments in localisation at Grahamstown Anglican Cathedral. To this end, three songs are presented, each composed or arranged by the junior choristers of the cathedral choir. The method of composition/arrangement is loosely based on experimental workshops conducted by David Dargie in the 1970s and 1980s with people across Southern Africa. The texts and music of the songs are analysed, with the express purpose of determining to what extent Southern African cultures have interacted with western cultures. A method of categorisation, derived from models developed by Huib Schippers and Akin Euba, is used to determine the depth of cultural contact. The author finds that in two of the songs there is evidence of creative and meaningful mingling of local and western cultures. The third song, being simply an arrangement of a local song, is more obviously Southern African, although it too shows influence of western harmonic conventions, albeit more superficially.