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Music and Contemplation in the Twelfth-Century Dulcis Jesu memoria

ABSTRACT The music of the twelfth-century song Dulcis Jesu memoria has been almost entirely neglected in modern scholarship, though its text (or rather a version of it) is well known in settings by fifteenth- and sixteenth-century composers. This article presents a new edition and translation of the song, and seeks to interpret its music and text as partners in an exegetical whole. The song's complicated relationship with the sequence genre proves a fruitful backdrop against which to interpret both text and melody, and analysis of the song's only notated manuscript source leads to new conclusions about the purpose to which the song may have been put by the manuscript's first readers.