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SOME FORMS OF REFERENCE (ADDRESSING) IN UZBEK DRAMAS

The article investigates the forms of reference to people in the context everyday communication based on the examples fromUzbek dramas. There is specially focused on lingua-cultural features of the forms of reference. The raised issues are explained with the example and extracts from the fiction in Uzbek Literature and the examples are interpreted through free translation trying to keep the local colour.


Introduction
UDC 808.5 It is well known that the main function of language is communication. Naturally, the process of conversation does not go without communication. For this reason, linguistics has always been exploring the psychological aspects of communication and the means of expression. [1,3].
In recent years, the overall role of the forms of reference has increased, focusing on learning in the communication process, which has identified some areas of research [2]. Appeal is an integral part of human speech. However, the second aspect of the speech process -the manifestation of conservative, extrathologicalist factors -has not been specifically explored in relation to the appeal, nor is the question of how fullness and diversity of the various possibilities of expression emerge are not investigated. [1,3] Literary review. Aristotle, Cicero, Abu Nasr Farabi, Abu RaihonBeruni, Mahmoud Zamakhshari, and AlisherNavoi also spoke about the language of speech. Specifically, Abu Ali Ibn Sina links the stability of society to the dialogue, and shows that people also need to address each other. The role of gestures in addressing and specifically the process addressing in children's language has been investigated in A.G.Gadjiev's thesis. [1,4] There are a number of studies in Uzbek linguistics that have studied the form of reference. A.R.Sayfullaev's research work describes the appeal as an undesirable form, the general description of the appeal, the lexical-semantic features, the morphological-syntactic expression and structure. The separated and organized versions of the collection, their role, intonation and stylistic position are revealed.
The role and methodological features of the article in the speech process have also been investigated in the work of a number of linguists, such as B. Urinboev, A. Abdullaev, L. Abdullaeva. [5] ISRA (India) The social nature of the message in relation to dialogic speech is addressed in the work of D.Donorov and B. Yuldashev "Literary Language and Artistic Style". In the scientific researches of S. Muminov and Sh. B.Rahmatullaeva's dissertation was studied in the Uzbek language by comparing it with the Russian application form. [1,5] Problem statement. Apparently there are a number of studies in Uzbek linguistics that have examined the form of reference. However, there is not enough research related to the linguacultural nature of the form of reference, including its use in dramatic works. This article focuses on this aspect of the problem.

Materials and methods.
It is well known that in Uzbekistan the family is viewed as the main link of society. The husband and wife are the basis of the family, and they are the means by which the descendants of both parties are attached. Although the husband is the head of the family, the word "husband" is not used as a word to address in real conversation,in Uzbek casual communication between spouses, except for the official context. In this regard, the Uzbek customs and traditions are influenced, women apply to their husbands by the name of their eldest child after they have children or nouns expressing immediate relationship by adding the addition of possessive case. This is also kind of respectful attitude towards husbands and shyness which characterizes Uzbek women. Another characteristic of the Uzbek people is the respect for the elderly. Uzbeks have respected and appreciated older people, and they have a wealth of life experience and are an embodiment of endless wisdom and grandeur. The proverbs in our nation such as "Even the magician doesn't know what the elderly know", "In the house where old man lives there are angels", "Respect for the elderly, honor for the little", "When the young cometo work, the old man to a meal -" can be vivid proof of above mentioned ideas regarding respect to the old.
It is well known that the word "uncle" is used more actively in the Uzbek language of speech, while for older menthe word "father" is commonly used. It is well known that the father is a great figure, the father is the reason for the child to come to this world, greatly respected person. The role of the father in the upbringing of children is really incredible, priceless. From this point of view, in the essence of address to the old men as "father" we can see the genuineness of humanity, sincerity, respect for the elderly, inherited in Uzbeks.
Eg When in our nation family is formed, a family agreement is signed between two prospective families, which is the foundation of a new family. Relationships are considered as matchmakers to one another, but the word does not separate people by gender, by the side of bride and groom, meaning only the parents of both parties. Only after the implementation of the agreement will the two parties begin to apply the specific word in the communication etiquette as a respectful addressing word.
After the marriage is fulfilled, all the relatives of the bride and groom, even friends and relatives who attend the ceremony, can be represented by the word "kuda" in Uzbek which can be equvivalent of the wordmatchmakers in English, regardless of their age and gender for both sides the same word is used as an addressing word. Although the word has many meanings, it is limited in scope: it appears in most parents' speech.
Eg In the case of other relatives, the word quda is used as an expression of certain kin names. For example: adding the word as a prefix to the same relation expressing words such as uncle, aunt, mother, father . Of these, the words "grandparents" and "aunts" are quite broad, and the bride's fathers and mothers, their brothers and sisters, may be used to refer to the older persons on the side of the speaker.  Olimjon: How about your own wife? She is also your legal wife, isn't she? (Sh. Boshbekov."Ironwoman") As we watch the dramas, we see that the heroes of the drama often use the word quda in Uzbek language in the course of communication. The word is used to describe the bride and groom's aunts, uncles, brothers and sisters, and is therefore often used in the plural. Children of these people are also often referred to with the plural addition "s" , and this is natural. In essence, the word is actively used in referring to the second person in relation to kudas. The word does not separate people by gender.

Eg: Tesha: Welcome, "qudagay"(Uzbek word of addressing). Will you invite us to the wedding? I will recite a poem. Now I am writing better poems. I have acquaintances in Tashkent as well…
Turgun: It is not good, Zumradkhon, being in between, later there will be misunderstanding, later your work may impact on our life as well.
(Sh. Boshbekov. "disobedient horses") The most beautiful characteristic of Uzbek women is being very respectful, extra polite and having the feeling of shyness. When a girl in Uzbek culturebecomes a new bride, she treats her spouse's family with dignity and respect. Especially her husband's parents, brothers and sisters. As we watched the characters of the drama, we saw the use of the word "mulla aka" in the characters. It is well known that the word is used actively in the bride's speech, with respect to her brother-in-law.
But sometimes we see that the word is not always used in the above sense, but in some cases it is used to refer to strangers. This case demonstrates that in the tradition of Uzbek-language communication, more and more women use the word "mullah aka" in their speech.

"Iron woman")
Our examples from the dramas also show that in the male characters' speech there are also references to strangers in the form of 'yangamullo'. This form of appeal is most commonly used in the dialects of Bukhara and its surroundings, emphasizing that the hero of the drama is representative of the area and is used to give a local color of the hero's speech.
Eg: Jiydali: (voice).that was good the house was sold, well done ... Yangamullo(specific addressing word for women) ... Our teacher is still in Jiydali. Alright, How well is your sister Kilorakhan ? What about Luyzakhon?? I have bought for her many presents, and when they come, they will see. Give them my best regards, I look forward to seeing you all… Lady:(Flipping from her seat to the phone) Thank you, thank you, brother! Ask your family too! Our tickets will be available next week. God willing, we'll see you soon. Goodbye,goodbye! (E.A'zam "Where is the paradise?") It is known that in Uzbek language, the camel's child is called a buta or butalok. At the same time, it can be used for two different meanings: 1) addressing to a child as a cherishing word: From the examples, we can say that the addressing word "Butam" as a lexeme has a special role in the worldview and lifestyle of the Uzbek people, and it is also reflected in this language.
The initial appeal of a man is to the sponsored totems, the creator, as he begins his conscious life. [1,66] It is well known that Uzbeks are also one of the numerous nations in the world who believe in Islam. With the advent of this religion in Central Asia, the process of "Islamization" began in the thinking of our people. This process is reflected in the world of people. According to Islamic belief, the first human being partner is Allah, the Creator, the Almighty. According to this belief, our people pray to the Creator in times of trouble, people should be thankfulto the Creator, even when they are treated with happiness or happen to be in a sorrow or disaster. Accordingly, the values of obedience and absolute love of God, the unconditional obedience to the Creator, renunciation of the prohibitions of Islam are deeply embedded in the worldview of our people.
While we watch the dramas, we observe many unique forms of addressing words in the etiquette of communication and speech in the drama of the drama heroes and heroins.
The above passage highlights the specific characters of the drama with examples of Kudrat's addressing words in his speech. It is well-known that the word for lexicon is lexeme, which is not typical of the literary language, but occurs only in dialects, and is mainly characteristic of the Surkhon (an area in Uzbekistan) dialect. The hero does not call her neighbor's wife by her name, but calls with addressing word. The word is actually a compilation of the words of the grandmother, who received a rich and diminishing addition, and is used in the dialect of the Surkhan area to appeal to both neighbor women and unknown women.
The lexeme "Momo" is the equivalent of a literary grandmother. However, this word is used in some dialects not to grandmother but to greatgrandmother. In the example above, the grandmother lexeme was used to honor an elderly neighbor from the addressing language of the drama heroes and heroines.

Conclusion.
In conclusion, there is a wide variety of addressing words to people in socio-cultural context which were used in dramatics. In particular, the study of linguocultural features of these forms is one of the actual issues facing our linguistics. A thorough linguistic and cultural analysis of the reference forms will provide new scientific conclusions in this regard.