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Paradigm Shifts, Rock Art Studies, and the “Coso Sheep Cult” of Eastern California

One of the more spectacular expressions of prehistoric rock art in all of North America is the petroglyph concentration in the Coso Range of eastern California. These glyphs have played a prominent role in attempts to understand forager religious iconography. Four decades ago, Heizer and Baumhoff (1962) concluded that Great Basin petroglyphs were associated with hunting large game and were intended to supernaturally increase success in the hunt. Similarly, in their seminal work Grant et al. (1968) concluded that the mountain sheep drawings of the Coso region bolstered the “hunting magic” hypothesis. However, this hypothesis has become increasingly marginalized by a prevailing view that considers most rock art as an expression of individual shamanistic endeavor (cf. Lewis-Williams and Dowson, 1988; Whitley, 1994; Whitley and Loendorf, 1994). This article explores comparative ethnologic and archaeological evidence supporting the hunting magic hypothesis. I place this explanatory framework in a larger context based on a contemporary understanding of comparative religion and the complexity of forager symbolism. The article argues that the preponderance of Coso images are conventionalized iconography associated with a sheep cult ceremonial complex. This is inconsistent with models interpreting the Coso drawings as metaphoric images correlated with individual shamanic vision quests.