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Renewal of aisthesis in contemporary aesthetics

The main subject of this work is the new aesthetics of atmospheres promoted
 in the last decades of 20th century by Gernot B?hme. Aesthetics of the
 atmospheres is a consequence of revival of aesthesis in contemporary
 aesthetics. The concept of atmospheres changes the model of perception from
 mechanical-cognitivistic to pathic and existential: perception is not
 grasping the sensitive qualities of things, but bodily sensing ourselves in
 the presence of atmospheres filling space or environment. Traditional
 concept of aisthesis and aesthetics as a science of sensitive knowledge
 provides a model for contemporary aesthetics and renewal of interest for
 sensitivity and perception in problems related to nature and aestheticized
 life world and politics. The task of contemporary aesthetic theory is to
 analyse the full range aesthetic work and aesthetic experiences using
 concept of atmospheres, not only related to works of art, but to nature and
 everyday life as well. In the context of contemporary theories of
 appreciation of nature, this type of aesthetic theory belongs to aesthesical
 model. According to this model, sensing oneself in the presence of aesthetic
 object in nature or art is the principal feature of every aesthetic
 experience.