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The manuscripts are divided into five sections containing: (1) miscellaneous documents on the fiscal status of Kun bzang chos gling, convent property, the annual cycle of rituals, and procedures to prevent the closure of the convent;

decades of the eleventh century”. This conclusion is based on detailed discussion of the historical context within the Kingdom of Western Tibet (Ngari Khorsum), comparison with parallel temples and paintings elsewhere, the iconography and subject matter of the paintings and, most importantly, the many inscriptions contained within the temples. Study of these inscriptions has advanced considerably with improvements in access and photographic techniques since the 1970s, when the present reviewer and his Ladakhi helpers struggled to decipher problematic readings by the light of a flickering candle. As a result of recent research, much of it by co-author Amy Heller, some of the persons named in the inscriptions have been plausibly identified or placed in a more secure historical context. There is an interesting map of “Historical empires”, detailed endnotes, and a comprehensive bibliography (oddly entitled “Scriptures”). An index would have been a highly useful aid. Altogether this book is a significant addition to the study of the temples at Alchi.