{'fraction_non_alphanumeric': 0.055639097744360905, 'fraction_numerical': 0.022556390977443608, 'mean_word_length': 4.741379310344827, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Art As Religious Studies . Edited by Adams Doug and Apostolos-Cappadona Diana. New York: Crossroad, 1987. vii + 247 pages. $17.95 (paper).

Smith cites an amazing range of sources in pursuit of his topic; curiously, they are very poorly indexed. One strange rupture in his argument appears in his citation of Geza Roheim's description of the "frequently tedious [ancestral] narratives" as indicative of the "man-made" character of the Aboriginal environment (11). But he offers in support of this assertion Strehlow's references to the ancestors as "uncreated supernatural beings that had always existed" (18). But then, he claimed to offer only theory "in" ritual.