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Theories on socialist realism and socialist music culture in the 1960s in Hungary

In the 1960s, the quantity of publications on aesthetics of music
 significantly increased in Hungary. The variability of the subjects, the
 approaches and the opinions are result of an explicit ideological reordering
 based on the consequently articulated politics of anti-Stalinism. By the
 mid-sixties the economic founding and sustainability of socialism and its
 optimized operation became the crucial problem for the power, hence the
 importance of natural and social sciences increased in the public
 discourses. The arts were no longer treated as mere illustrations of the
 political power and its intentions. I focus on the main contributions to
 aesthetics of music of the so-called creative Marxism written by three
 internationally acknowledged Hungarian scholars of this period: Jozsef
 Ujfalussy, Denes Zoltai and Janos Marothy. Selected texts are analized from
 theoretical points of view and interpreted in the context of the Hungarian
 cultural policy and the national and international career of their authors
 as well.