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Pictures into Words: Images in Contemporary French Fiction

accurate notes are absent from the start of the notes on Winter’s essay until the beginningof Badiou’s following one.These translator’s notes are replaced by Winter’s own extensive and rambling notes which are almost entirely drawn from secondary sources, include inexplicable references to further notes that donot appear and,worst of all, communicate a clear expression of her underlying depiction of Jews as avaricious, cowardly and vicious. Ultimately, I feel that in regard to this collection another of Badiou’s cutting phrases should be altered and redeployed: ‘Never again readCécile Winter, but always read Alain Badiou; that is the order of the day’ (239).