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Addio, Adieu, Adios: A Farewell to Arms in Three Romance Languages

The strong component of orality that pervades A Farewell to Arms creates an intensely heteroglossic text in which a variety of voices are continuously modulated. This feature challenges translators to find lexical and syntactic equivalents capable of conveying the colloquial tone of the dialogues and the contrasts among the characters' voices. Taking into account five categories of translation issues—lexical congruence, modes of address, off-color language, literary dialect, and narrative perspective—this article analyzes how that challenge is met in translations into French, Italian and Spanish.