{'fraction_non_alphanumeric': 0.042725173210161664, 'fraction_numerical': 0.020785219399538105, 'mean_word_length': 4.938356164383562, 'pattern_counts': {'":': 0, '<': 0, '<?xml version=': 0, '>': 0, 'https://': 0, 'lorem ipsum': 0, 'www.': 0, 'xml': 0}, 'pii_count': 0, 'substrings_counts': 0, 'word_list_counts': {'cursed_substrings.json': 0, 'profanity_word_list.json': 0, 'sexual_word_list.json': 0, 'zh_pornsignals.json': 0}}
Rochester Cathedral 604–1540: An Architectural History. By J. Philip McAleer. Toronto: University of Toronto Press, 1999. xxiv + 314 pp. $70.00 cloth.

"Dreams and Visions in Merovingian Hagiography," focuses on the role of the hagiographer's use of visions, especially in the portrait of Radegund of Poitiers, and concludes with a study of the visions of St. Aldegund of Maubeuge, reportedly stemming from her own account. Moreira attempts a sweeping study, offering details in a complex apparatus of notes and in two appendixes devoted to "Otherworld Visions and Apocalypses" and "The Earliest Vitae of Aldegund of Maubeuge." Moreira offers an account of Merovingian visionary literature beyond the "canon" of the great authors and texts of the time, namely, Sulpicius Severus, Gregory of Tours, Gregory the Great, the Vision of Fursey, and the Vision of Barontus.